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Scholarly Books

The 33 1/3 B-Sides

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Will Stockton and D. Gilson (eds)

An Anthology of Australian Albums: Critical Engagements

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Jon Stratton, Jon Dale and Tony Mitchell (eds)

The Arena Concert: Music, Media and Mass Entertainment

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Robert Edgar, Kirsty Fairclough-Isaacs, Benjamin Halligan and Nicola Spelman

Beyond No Future: Cultures of German Punk

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Mirko M. Hall, Seth Howes and Cyrus M. Shahan (eds)

The Bloomsbury Handbook of Music Production

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Andrew Bourbon and Simon Zagorski-Thomas (eds)

The Bloomsbury Handbook of Religion and Popular Music

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Christopher Partridge and Marcus Moberg (eds)

Curating Pop: Exhibiting Popular Music in the Museum

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Sarah Baker, Lauren Istvandity and Raphaël Nowak

Enchanting David Bowie: Space/Time/Body/Memory

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Toija Cinque, Christopher Moore and Sean Redmond (eds)

Kerouac on Record: A Literary Soundtrack

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Simon Warner and Jim Sampas (eds)

Lipsynching

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Merrie Snell

Mad Dogs and Englishness: Popular Music and English Identities

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Lee Brooks, Mark Donnelly and Richard Mills (eds)

Music as Multimodal Discourse

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C. S. Way Lyndon and McKerrell Simon (eds)

Music, Memory and Memoir

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Robert Edgar, Fraser Mann and Helen Pleasance (eds)

Music Radio: Building Communities, Mediating Genres

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Morten Michelsen, Mads Krogh, Steen Kaargaard Nielsen and Iben Have (eds)

Music/Video: Histories, Aesthetics, Media

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Gina Arnold, Daniel Cookney, Kirsty Fairclough and Michael Goddard (eds)

Mute Records: Artists, Business, History

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Zuleika Beaven, Marcus O’Dair and Richard Osborne (eds)

Over and Over: Exploring Repetition in Popular Music

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Olivier Julien and Christophe Levaux (eds)

Popular Music and Automobiles

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Mark Duffett and Beate Peter (eds)

Religion in Hip Hop: Mapping the New Terrain in the US

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Monica R. Miller, Anthony B. Pinn and Bernard “Bun B” Freeman (eds)

Transglobal Sounds: Music, Youth and Migration

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João Sardinha and Ricardo Campos (eds)

Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics

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Carol Vernallis, Holly Rogers and Lisa Perrott (eds)

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