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Religion in Hip Hop: Mapping the New Terrain in the US

Religion in Hip Hop: Mapping the New Terrain in the US

by Monica R. Miller

Monica R. Miller is Assistant Professor of Religion & Africana Studies, Director of Women, Gender, and Sexuality Studies at Lehigh University, USA. Author affiliation details are correct at time of print publication.

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, Anthony B. Pinn

Anthony B. Pinn is Agnes Cullen Arnold Professor of Humanities, Professor of Religious Studies, and Director of the Center for Engaged Research and Collaborative Learning (CERCL) at Rice University, USA. Author affiliation details are correct at time of print publication.

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and Bernard “Bun B” Freeman

Bernard “Bun B” Freeman is an American rapper, songwriter and CERCL Distinguished Visiting Lecturer at Rice University, USA. Author affiliation details are correct at time of print publication.

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(eds)
Bloomsbury Academic, 2015
  • DOI:
    10.5040/9781474219099
  • ISBN:
    978-1-4725-0743-3 (hardback)

    978-1-4725-0907-9 (paperback)

    978-1-4725-0601-6 (epdf)

    978-1-4725-0722-8 (epub)

    978-1-4742-1909-9 (online)
  • Edition:
    First edition
  • Place of Publication:
    London
  • Published Online:
    2018
Religion in Hip Hop: Mapping the New Terrain in the US
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Now a global and transnational phenomenon, hip hop culture continues to affect and be affected by the institutional, cultural, religious, social, economic and political landscape of American society and beyond. Over the past two decades, numerous disciplines have taken up hip hop culture for its intellectual weight and contributions to the cultural life and self-understanding of the United States. More recently, the academic study of religion has given hip hop culture closer and more critical attention, yet this conversation is often limited to discussions of hip hop and traditional understandings of religion and a methodological hyper-focus on lyrical and textual analyses.

Religion in Hip Hop: Mapping the Terrain provides an important step in advancing and mapping this new field of Religion and Hip Hop Studies. The volume features 14 original contributions representative of this new terrain within three sections representing major thematic issues over the past two decades. The Preface is written by one of the most prolific and founding scholars of this area of study, Michael Eric Dyson, and the inclusion of and collaboration with Bernard ‘Bun B’ Freeman fosters a perspective internal to Hip Hop and encourages conversation between artists and academics.