Bloomsbury Popular Music offers cross-searchable access to the full text of the Bloomsbury Encyclopedia of Popular Music of the World, all 120+ volumes of the 33 1/3 series, and an expanding range of scholarly books. Read more about Bloomsbury Popular Music.
No, titles available as part of Bloomsbury Popular Music are not available via any other online resources.
The resource offers unrivalled coverage of all genres of popular music from almost every country in the world. From volume 3 onwards, the Encyclopedia of Popular Music of the World is organised by geographic region, with detailed articles on countries, regions, cities (covering key artists, locales, venues and institutions), and genres from each continent.
As the editors of the Bloomsbury Encyclopedia of Popular Music of the World explain in the Introduction to Volume 1, their primary understanding of ‘popular music’ relates to modern mass cultural forms, but this should not be taken to imply any restrictive definition of ‘popular’ as opposed to ‘folk’ music: ‘while the principal emphasis of the Encyclopedia is on the urban, the commodified and the mass disseminated rather than on the rural, the oral-aural and the restrictedly local, therefore, this emphasis is far from exclusive’.
The full history of popular music is covered: the main focus is from the early twentieth century to the present day, but many articles in the Encyclopedia of Popular Music of the World discuss earlier periods as part of the broader historical context.
Yes, new and revised content will be added to Bloomsbury Popular Music twice a year at no extra charge. Updates will include additional volumes of the Encyclopedia of Popular Music of the World, updated articles, new books in the 33 1/3 series, new scholarly books, and titles in the new Global 33 1/3 series.
Bloomsbury Popular Music is an invaluable resource for students, scholars and researchers in a wide range of humanities and social science subjects including music, cultural studies, performing arts, media and communication, anthropology and sociology.
Most institutions will set up their access via IP-authentication, which means that users are automatically ‘logged in’ when accessing through their institution. If you have been recognised as a user from a subscribing institution, this will be signalled by the ‘Access provided by…’ message in the site header. Some institutions require username and password access. If you are in doubt as to how to access the site, please contact your library.
No, access is available on an unlimited simultaneous user basis.
Yes. If your institution uses authentication via Shibboleth, select this option from the Log In page.
Yes, the site is responsive, and fully optimised for displaying on a range of tablet and smartphone interfaces. The site has been tested using recent versions of the iPad, iPhone, and Android smartphones and tablets. No web-enabled devices are specifically excluded, and there is no separate mobile site: the site layout adapts automatically depending on the size of the screen.
Bloomsbury Popular Music has been tested using Internet Explorer (version 10 onwards), Safari (version 6 onwards), and the latest versions of Firefox and Chrome, on PC, Mac and mobile operating systems. We will continue to monitor usage from different browsers and platforms and revise our list of actively supported browsers and devices accordingly.
Bloomsbury Popular Music conforms to accessibility standards for most Level A (Priority 1) and AA (Priority 2) success criteria of the Web Content Accessibility Guidelines (WCAG 2.0) developed by the Worldwide Web Consortium (W3C).
The interactive map and timeline features, however, are not compatible with screen reader software.
There are multiple ways of navigating the content:
Use the Search box in the site header to search the full contents of all items on the site, including all titles, chapter titles, abstracts, author names, subject terms, metadata and full text. You can use the following methods:
From the Advanced Search page you can:
Yes! It’s quick and easy for any authenticated user to set up a personal account to save books, chapters or other items to view later, organise saved items into folders, email and export citations, save searches and set up search alerts.
Follow the link in the header to ‘Sign in to your personal account’: you then have the option to sign in using Google Plus, Facebook or Twitter, or to select ‘Sign up now’ and enter a few personal details (name, occupation, country, email address and password) to create a Personal Account.
Please note you can use the same Personal Account details to sign in on multiple Bloomsbury platforms, including Bloomsbury Popular Music, Drama Online, Churchill Archive and other forthcoming resources.
Yes, the site content has no DRM (Digital Rights Management) protection, and so it can be printed or saved to personal computers. All use of the site content is subject to our Terms and Conditions: printing and saving should be for personal use, and standard copyright restrictions apply regarding unauthorised copying and distribution.
From the book page, or full text view, click on the ‘cite’ icon to view formatted citations in APA, MLA, Chicago and Harvard citation styles. You can also download a file in RIS format for importing into reference manager software. Please note that the original pagination has been preserved from the print editions.
Yes, if your institution has set up a link resolver, you can follow links from the bibliographies of full-text books to find copies of the referenced works in your library catalogue or other resources to which your library subscribes.