Bloomsbury Popular Music
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Between Air and Electricity

Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments

by Cathy van Eck

Cathy van Eck is a composer, sound artist, and researcher in the arts with an interest in relationships between everyday objects, human performers, and electronic sound. She holds a Ph.D. of Leiden University and is lecturer at the University of the Arts in Bern. Author affiliation details are correct at time of print publication.

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Bloomsbury Academic, 2017
  • DOI:
    10.5040/9781501327636
  • ISBN:
    978-1-5013-2760-5 (hardback)

    978-1-5013-2761-2 (epub)

    978-1-5013-2762-9 (epdf)

    978-1-5013-2763-6 (online)
  • Edition:
    First edition
  • Place of Publication:
    New York
  • Published Online:
    2018
Between Air and Electricity
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Composers and sound artists have explored for decades how to transform microphones and loudspeakers from “inaudible” technology into genuinely new musical instruments. While the sound reproduction industry had claimed perfect high fidelity already at the beginning of the twentieth century, these artists found surprising ways of use – for instance tweaking microphones, swinging loudspeakers furiously around, ditching microphones in all kinds of vessels, or strapping loudspeakers to body parts of the audience. Between air and electricity traces their quest and sets forward a new theoretical framework, providing historic background on technological and artistic development, and diagrams of concert and performance set-ups. From popular noise musician Merzbow to minimalist classic Alvin Lucier, cult instrument inventor Hugh Davies, or contemporary visual artist Lynn Pook – they all aimed to make audible what was supposed to remain silent.