Bloomsbury Popular Music - Reviews

Reviews for Bloomsbury Popular Music

‘Bloomsbury Popular Music features a clean, pleasing interface of hot pink and black against a white background.

Library staff will appreciate the “for librarians” link, which offers easy access to administrator functions, subscription information, MARC records, and promotional materials.

A number of characteristics make this a browser-friendly resource (…) Researching is easy—the search bar is present at the top of every page, and the header includes only the most relevant topics. (…) Below the search bar, users will find a changing array of featured artists, genres, and countries, prompting them to learn something new with each session.

Especially helpful is the brief content summary in the middle of the page, which includes links to browse the digital books or navigate the “about” section for more information (...) The World Map and Timeline are unique and significant resources for academics. 

Bloomsbury Popular Music is highly recommended for academic libraries with a focus on music, offering a user-friendly platform that is invaluable for studying music around the world.’

Library Journal, July 2018

Reviews for the Bloomsbury Encyclopedia of Popular Music of the World 

On Volume IX

' ... a well-respected popular music encyclopedia. (This volume) provides comprehensive articles and references on Caribbean and Latin American popular music genres that will be useful to music researchers in this field.'

Elizabeth Berndt-Morris, Library Journal, 2018

On Volume XI

‘(…) a major reference work in its own right, (the editors) are to be congratulated for having produced a work that, clearly for themselves as well as many probable readers expert and novice, academic and professional alike, is a labour of love – and a distinctive insight into an ever-changing and exciting musical field.

Stuart Hannabuss, Reference Reviews, 2018

Review for Future Nostalgia: Performing David Bowie, by Shelton Waldrep

‘In conjunction with his multifarious theoretical examination of performance, Waldrep’s interdisciplinary approach is a key strength of this book. He draws from, and contributes to, the disciplinary fields of performance studies, cultural studies, art history, visual culture, music criticism, gender studies, and disability studies (…) Like the lyrics of a Bowie song, Waldrep’s tangential threads drew me in and opened up new cultural and intellectual pathways. Such is the strange fascination of Bowie studies.’ 

Lisa Perrott, Cinema Journal, 2018