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The Aesthetics of the Arena: Live and Recorded

Robert Edgar

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK. Author affiliation details are correct at time of print publication.

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The Arena Concert : Music, Media and Mass Entertainment

Bloomsbury Academic, 2016

Scholarly Books

2

...Introduction The physical space of the arena confers a sense of legitimacy on the performer/s which is both at one with and at odds with the nature of economic success. The intimate venue is the preserve of the few or rather the deceit...

From Shed to Venue

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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The Arena Concert : Music, Media and Mass Entertainment

Bloomsbury Academic, 2016

Scholarly Books

1

...Introduction: The arena as a distinct building typology Imagine approaching a building whose perimeter walls soar above you, grand and impressive. Inside, you enter a dramatic open space with continuous raked seating for the thousands...

Rocking around Watford

Robert Edgar

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK. Author affiliation details are correct at time of print publication.

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Julia Evan Shelton

Julia Evan Shelton

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The Arena Concert : Music, Media and Mass Entertainment

Bloomsbury Academic, 2016

Scholarly Books

2

...Preface The arena is a space in which amazing things can happen. The arena is a space transformed into an imagined environment where experiences form memories which in turn shape experience. It is easy to think that in attending the arena...

INTRODUCTION ‘A Stately Pleasure-Dome’?

Robert Edgar

,

Robert Edgar is a Senior Lecturer in the Faculty of Arts at York St John University, UK. Author affiliation details are correct at time of print publication.

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Kirsty Fairclough-Isaacs

,

Kirsty Fairclough-Isaacs is Senior Lecturer in Media and Performance and Associate Director (International) in the School of Arts and Media at the University of Salford, UK. Author affiliation details are correct at time of print publication.

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Benjamin Halligan

Benjamin Halligan is Director of Postgraduate Research for the College of Arts and Social Sciences, University of Salford, UK. Author affiliation details are correct at time of print publication.

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Nicola Spelman

Nicola Spelman is Senior Lecturer in Popular Music in the School of Arts and Media at the University of Salford, UK Author affiliation details are correct at time of print publication.

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The Arena Concert : Music, Media and Mass Entertainment

Bloomsbury Academic, 2016

Scholarly Books

3

... for so very many people. (The latter is a concern in Stewart’s interview chapter ‘Hello Cleveland … !’, as balanced by Edgar’s collaborative ‘Rocking Around Watford’: the view from the audience perspective.) The struggles across the 1990s...

Festival Stages and Travelling Sets

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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This Must Be The Place : An Architectural History of Popular Music Performance Venues

Bloomsbury Academic, 2019

Scholarly Books

2

... Robert Edgar and Kirsty Fairclough-Isaacs , Ben Halligan , and Nicola Spelman , ‘A Stately...

Arenas

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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This Must Be The Place : An Architectural History of Popular Music Performance Venues

Bloomsbury Academic, 2019

Scholarly Books

2

... in The Arena Concert: Music Media and Mass Entertainment , ed. Robert Edgar , Kirsty Fairclough-Isaacs , Ben...

Conclusion: The Significance and Value of Popular Music Venues

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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This Must Be The Place : An Architectural History of Popular Music Performance Venues

Bloomsbury Academic, 2019

Scholarly Books

1

... to replicate its distinctive arches. Grand Ole Opry House, Nashville. Pews and replica stage set similar to those found in its former home, the Ryman Auditorium. Source: Robert Kronenburg. One area where innovation...

—Buck Owens Recording Studio (US)

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

2

...The Buck Owens Recording Studio was a mainstay of the early 1970s ascendancy of the ‘Bakersfield sound’ school of country music. In 1971, 12 of the United States’ top 100 country singles were recorded there. Besides its owner, Alvis Edgar...

—Tally Recording Studio (US)

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

2

... eventually co-produced Haggard’s records.The other leading exponent of the Bakersfield sound, Alvis Edgar ‘Buck’ Owens, also recorded at Tally, as did country singer Bonnie Owens and rockabilly singer Wally Lewis, among other local...

Chicago, IL

Robert Pruter

Robert Pruter

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Paul Oliver

Paul Oliver is a Fellow of Oxford Brookes University. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume IV : Locations: North America

Continuum, 2016

Encyclopedia Articles

2

... and the Dreamland Ballroom. The foremost bands in the 1920s were those of Isham Jones, Edgar Benson, Charles Elgar and Wayne King. While most of the venues featured bands that played waltzes and dance music with a gently bouncing beat and other...