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Conclusion

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

0

...A radio interview with Philip Glass broadcast on Radio 4’s Today programme, Thursday 10 Oct 2014, reflected a core element of the mindset I have been critiquing in this book. The interviewer, John Humphrys, presumed that the following...

1977, Year Zero(ish)

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

1

... the rock context. As I have shown elsewhere, commentators on folk music had made reference to DiY trajectories many years before the Sex Pistols formed. Dale, Anyone, p. 43. However, the overwhelming commonality not only...

Introduction

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

1

... of the most radical popular music would seem an ill-fit with this descriptor: are Throbbing Gristle pop? Crass, Buffy Saint Marie, Manu Chao or Pete Seeger – is this really ‘pop music’? Is Billy Bragg just a ‘popstar’ – or is something...

If You Don’t Care to Remember ‘The Sixties’, You Probably Weren’t There

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

1

... that Hendrix’s voicings and even Pete Townshend’s are typically richer and/or more inventive. The shift to the dominant chord (G major) in the chorus is rather predictable, as is the movement to D major (the dominant of the dominant relative...

The Postmodern Turn, Turn, Turn

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

1

... to concepts such as uniqueness, genius and so on in relation to popular music. Keith Negus and Michael Pickering, for example, have effectively encouraged us to think it fair to call Bob Dylan a genius, as noted in Dale, Anyone, p. 11n....

1899 and All That

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

1

... furthermore, politically dubious songs about intoxication show no sign of going out of fashion. Overall, I am inclined to agree with Pete Bailey that music hall ‘did indeed contribute to the making of the modern consumer’. Peter Bailey,...

Badiou and the Popular Event

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

1

... elsewhere that, in fact, Derrida explicitly implicates novelty with return. Dale, Anyone, p. 89. In any case, Derrida would never condone a formulation such as ‘the information component of communication’, for this would...

What’s Left for the Future of Pop?

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

1

... errors in his writing. Chief among these, I think, is his misguided attempt to employ Derrida, as discussed in Dale, ‘Death’, 2013. ) Having said this, it is to Reynolds’s credit that he acknowledges ‘an argument...