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From “Sectional Refrains” to Repeated Verses

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Over and Over : Exploring Repetition in Popular Music

Bloomsbury Academic, 2018

Scholarly Books

2

...In the following pages, I address the development of this particular formal type that is known as the “AABA form.” The expression is one of common usage, and it might be argued that there is a broad consensus on its origins amongst popular...

Sonic Space and Texture in Rock

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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The Bloomsbury Handbook of Rock Music Research

Bloomsbury Academic, 2020

Scholarly Books

2

...The idea that rock musicians’ practice does not rely on musical notation, nor on oral transmission, but on recording is widely held among “popular musicologists.”Scott, “Introduction.” Allan Moore sums up this point when he writes, in Rock:...

—Davout Studios (France)

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

2

...Davout Studios was founded in 1965, the first independent studio to be established in France. As a result, the client list reads like a microcosm of the history of French popular music: Maurice Chevalier, Charles Trenet, Barbara, and Alain...

—Guillaume Tell Studios (France)

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

2

...Founded in 1985 in Paris by sound engineer Roland Guillotel, Guillaume Tell rapidly became the most serious rival of Davout Studios (France’s first independent studio). Using basically the same recording equipment (Studer and Sony analog...

—Rosebud (France)

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

2

...Rosebud was founded in 1991 by Alan Gac, a 17-year-old fan of Alan McGee of Creation Records. Originally based in Rennes, Brittany, Gac signed several local artists – Les Freluquets, Katerine, Sloy – and Chelsea, the band of Emmanuel...

Montmartre

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume VII : Locations: Europe

The Continuum International, 2016

Encyclopedia Articles

2

...At 423 ft (129 m) above sea level, Montmartre is the highest of seven hills that surround central Paris. According to legend, it takes its name from the martyr of Saint-Denis, a missionary who was decapitated at the top of the mount...

Paris

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume VII : Locations: Europe

The Continuum International, 2016

Encyclopedia Articles

2

...Population: 2,200,000 (2004) Paris is the capital of France, with 12,000,000 people, or almost 20 percent of the French population, living in the city and its surrounding region. During antiquity...

French Touch

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

2

...The association of the term ‘French Touch’ with a house-oriented type of club music originating from France goes back to the early 1990s and to the early days of the short-lived Music-Dance Division of the FNAC company (1991–4), whose...

Introduction

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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and

Christophe Levaux

Christophe Levaux is a postdoctoral researcher at the University of Liège, Belgium Author affiliation details are correct at time of print publication.

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Over and Over : Exploring Repetition in Popular Music

Bloomsbury Academic, 2018

Scholarly Books

4

... Pan Alley songs retain[ing] the use of discursive techniques” (1983: 238, 252). This formal type is precisely what provides Olivier Julien with the theme of Chapter 7, “From ‘sectional refrains’ to repeated verses,” which introduces Part...

Television Shows

Dave Laing

,

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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and

Catherine Rudent

Catherine Rudent

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

2

...Popular music has had strong links with television ever since the launch of the television medium in the United States in the late 1940s. Grossberg (1993) points out that ‘television has been, for some fans, their only access to “live...