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Audiovision and Gesamtkunstwerk: The Aesthetics of First- and Second-Generation Industrial Music Video

Michael Goddard

Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK. Author affiliation details are correct at time of print publication.

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Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

3

... (Prerokne Ognja, Michael Benson, 1995) repeats this focus on symbolic elements, especially fire, for example, by including an archival industrial film about the conditions under which objects will burst into flames and using this as an emblem...

From Broadway to Phineas and Ferb: The Rise of Music(al Comedy) Videos

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

2

... typical example, complete with two call-backs and enthusiastic audience applause, preserves a live performance by Lee Wilkof and Michael Mulheren of ‘Brush Up Your Shakespeare’ from the 1999 Broadway revival of Cole Porter’s Kiss Me Kate....

Introduction

Gina Arnold

,

Gina Arnold is Lecturer in Rhetoric and Media Studies at the University of San Francisco, USA. As a former rock critic for Rolling Stone, Spin and Entertainment Weekly, she was an early advocate of the genre now known as grunge. She is the author of Route 666: On the Road To Nirvana, (2003), Punk In the Present Tense, (1997) and Exile In Guyville, (Bloomsbury, 2014), as well as Rock Crowds And Power. She holds a Ph.D. from Stanford University in Modern Thought and Literature. Author affiliation details are correct at time of print publication.

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Daniel Cookney

Gina Arnold is Visiting Professor at the Evergreen State College in Washington, USA. Author affiliation details are correct at time of print publication.

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and

Michael Goddard

Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK. Author affiliation details are correct at time of print publication.

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Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

3

... only to be kicked over at the end of the video (‘Bastards of Young’), there is a minimalism and medium reflexivity worthy of Michael Snow or Chantal Akerman. Taken together these tendencies constitute part of a complex ‘video culture’ to use...

One. World: Self-Effacement of H. P. Baxxter in the Video Work of Scooter

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

1

... Jumping All Over the World, from which ‘The Question’ springs marked a substantial change, possibly due to the influence of new arrival Michael Simon, but most particularly in the dramatic reduction of Baxxter’s lyrical work in favour...

The Perfect Kiss: New Order and the Music Video

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

1

... clips in the early days of video.Demme’s connection with New Order was brokered by noted video producer Michael H. Shamberg, who had filmed a 1981 New York City concert for the band and would go on to serve as the executive producer for all...

The Boxed Aesthetic and Metanarratives of Stardom: Analysing Music Videos on DVD Compilations

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

1

... compilations by ‘megastars’ Michael Jackson and Madonna, only to conclude that ‘these have sold poorly and provide few aesthetic pleasures’, explaining her preference for the director-based compilations over the star-based ones...

Anal Terrorism in Nicki Minaj’s ‘Anaconda’

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

0

...‘Anal Terror’ could well be the title of a pornographic movie, a hardcore film directed by John ‘Buttman’ Stagliano, starring Nacho Vidal, Belladonna, and Rocco Siffredi, hidden on a porn site, age restricted but widely available...

Completing the Mystery of Her Flesh: Love, Eroticism, and Identity in Björk’s Videos

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

0

...Introduction Music, it can be argued, is often used as a means of self-expression, as a reflection on the musician’s life, experiences, and choices; by matching songs with videos, the musician can delve deeper into this self-investigation...

Soundtrack Self: FKA twigs, Music Video, and Celebrity Feminism

Kirsty Fairclough

Kirsty Fairclough is Director of International and Senior Lecturer in Media and Performance in the School of Arts and Media at the University of Salford, UK. Author affiliation details are correct at time of print publication.

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Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

0

...Introduction In the self-directed music video for ‘Pendulum’ by British electronic R and B artist FKA twigs, we see a close-up of twigs’s mouth, and a slow zoom-out reveals her suspended in bondage ropes made of her own hair. Twigs...

Blackened Puppets: Chris Cunningham’s Weird Anatomies

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

0

...In this chapter, I shall suggest that music videos constitute moving bodies – puppets, if you will – which in turn have the power to move viewers, in fact to enlist their viewers into a process of metamorphosis. My focus is the work...