Loading

Results

Sort By:  1-7 of 7 (1 page)
Results per page:
         

Newport 1969 and the Uneasy Coupling of Jazz and Rock

Matt Brennan

Matt Brennan is a Chancellor’s Fellow of Music at the University of Edinburgh, UK. He has served as Chair of the UK and Ireland branch of the International Association for the Study of Popular Music (IASPM). His is the co-author (with Simon Frith, Martin Cloonan, and Emma Webster) of The History of Live Music in Britain. Author affiliation details are correct at time of print publication.

Search for publications

When Genres Collide : Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

Bloomsbury Academic, 2017

Scholarly Books

0

...Dan Morgenstern 1970, quoted in Dan Morgenstern, Living with Jazz, ed. Sheldon Meyer (New York: Pantheon Books, 2004), 673It goes against the intellectual’s grain, no doubt, but isn’t it one of the great achievements of jazz that it has...

Conclusion

Matt Brennan

Matt Brennan is a Chancellor’s Fellow of Music at the University of Edinburgh, UK. He has served as Chair of the UK and Ireland branch of the International Association for the Study of Popular Music (IASPM). His is the co-author (with Simon Frith, Martin Cloonan, and Emma Webster) of The History of Live Music in Britain. Author affiliation details are correct at time of print publication.

Search for publications

When Genres Collide : Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

Bloomsbury Academic, 2017

Scholarly Books

0

...Keith Negus, Popular Music in Theory (Cambridge: Polity, 1996), 138.Musical history making cannot be known in any innocent sense. Arranging a vast number of sounds, words and images into musical “eras” is not a neutral activity. It involves...

The American Jazz Press Covers Rock

Matt Brennan

Matt Brennan is a Chancellor’s Fellow of Music at the University of Edinburgh, UK. He has served as Chair of the UK and Ireland branch of the International Association for the Study of Popular Music (IASPM). His is the co-author (with Simon Frith, Martin Cloonan, and Emma Webster) of The History of Live Music in Britain. Author affiliation details are correct at time of print publication.

Search for publications

When Genres Collide : Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

Bloomsbury Academic, 2017

Scholarly Books

0

...Robert Draper, The Rolling Stone Story (Worcester: Mainstream, 1990), 367.Yeah, you know, that’s what Ralph would preach to me all the time. ‘You young people, you just don’t pay enough attention to history!’ Ralph was always saying...

The Dismissal of Rock ‘n’ Roll by Jazz Critics at Down Beat

Matt Brennan

Matt Brennan is a Chancellor’s Fellow of Music at the University of Edinburgh, UK. He has served as Chair of the UK and Ireland branch of the International Association for the Study of Popular Music (IASPM). His is the co-author (with Simon Frith, Martin Cloonan, and Emma Webster) of The History of Live Music in Britain. Author affiliation details are correct at time of print publication.

Search for publications

When Genres Collide : Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

Bloomsbury Academic, 2017

Scholarly Books

0

...Scott DeVeaux, 2005. “Cores and Boundaries,” The Source 2, 15–30.As any of you who have looked at Down Beat know, the more detail, the more problems. It’s not a matter of what to leave in, but what to leave out. History is storytelling...

The Birth of Rolling Stone

Matt Brennan

Matt Brennan is a Chancellor’s Fellow of Music at the University of Edinburgh, UK. He has served as Chair of the UK and Ireland branch of the International Association for the Study of Popular Music (IASPM). His is the co-author (with Simon Frith, Martin Cloonan, and Emma Webster) of The History of Live Music in Britain. Author affiliation details are correct at time of print publication.

Search for publications

When Genres Collide : Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

Bloomsbury Academic, 2017

Scholarly Books

0

...Robert Christgau, “Chords and Discords,” Down Beat, September 19, 1968, 10.Down Beat is so unfailingly pompous about popular music because it knows jazz is “better.” It’s more complex, more subtle, and requires more skill and attention...

Jazz Culture as a Precursor to Rock ‘n’ Roll Culture

Matt Brennan

Matt Brennan is a Chancellor’s Fellow of Music at the University of Edinburgh, UK. He has served as Chair of the UK and Ireland branch of the International Association for the Study of Popular Music (IASPM). His is the co-author (with Simon Frith, Martin Cloonan, and Emma Webster) of The History of Live Music in Britain. Author affiliation details are correct at time of print publication.

Search for publications

When Genres Collide : Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

Bloomsbury Academic, 2017

Scholarly Books

0

...Ralph Gleason, Jam Session: An Anthology of Jazz (New York: G.P. Putnam’s Sons, 1958), 278.Every parent remembers the hysteria attendant on the swing era and the Benny Goodman band whose fans danced in the aisles of the New York Paramount...

Introduction

Matt Brennan

Matt Brennan is a Chancellor’s Fellow of Music at the University of Edinburgh, UK. He has served as Chair of the UK and Ireland branch of the International Association for the Study of Popular Music (IASPM). His is the co-author (with Simon Frith, Martin Cloonan, and Emma Webster) of The History of Live Music in Britain. Author affiliation details are correct at time of print publication.

Search for publications

When Genres Collide : Down Beat, Rolling Stone, and the Struggle Between Jazz and Rock

Bloomsbury Academic, 2017

Scholarly Books

1

... The inaugural NAJE newsletter proclaimed that “to all of you who have looked upon jazz as a legitimate form of musical challenge … . 1968 will be the year to remember.”Matt Betton, 1968. “N.A.J.E. Seattle Meeting,” National Association of Jazz...