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K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.