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Copyright and Musical Censorship: Gangsta Rap and Bad Lieutenant

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

0

...Some of rock’s social anxiety aspects were picked up by rap music during the 1990s. Although most rap comes from a pop genealogy, the rap music under discussion in this chapter has far more connection with rock music. The development...

The Psychedelic Screen

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

2

... detailed discussion in K. J. Donnelly, ‘Performance and the Composite Film Score’ in K. J. Donnelly, ed., Film Music: Critical Approaches (Edinburgh: Edinburgh University Press, 2001) and ‘The Performance Soundtrack’ in Mark Goodall, ed.,...

Golden Years: 1980s and 1990s Hip Song Compilation Films

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

1

... in the introduction to K. J. Donnelly, Pop Music in British Cinema: A Chronicle (London: BFI, 2001). As both an aesthetic strategy and an industrial procedure, pop and rock music increasingly marked a norm in Hollywood and mainstream films from many...

Introduction

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

1

... the performance mode) rather than follow the ‘MGM model’ of bursting into song (the lip-synch mode).K. J. Donnelly, Pop Music in British Cinema: A Chronicle (London: BFI, 2001), viii. Elvis’s films such as King Creole (1958) exhibit both strategies...

Beat Boom Beatles: A Hard Day’s Night and Help!

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

1

... in the documentary Hollywood, UK.). Most songs in A Hard Day’s Night are presented as group performances, using the performance mode, rather than using the lip-synch mode.K. J. Donnelly, Pop Music in British Cinema: A Chronicle (London: BFI,...

Falling to Earth: Bowie’s Failed Film Soundtrack

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

1

... pieces, which could often be made into suites for the concert hall.See further discussion in K. J. Donnelly, British Film Music and Film Musicals (London: Palgrave 2007). These thus could stand up as music in their own right rather than...

‘The Film Should Be Played Loud’: Rockumentary Films

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

1

... in K. J. Donnelly, ‘Visualizing Live Albums: Progressive Rock and the British Concert Film in the 1970s’ in Robert Edgar, Kirsty Fairclough-Isaacs and Benjamin Halligan, eds., The Music Documentary: From Acid Rock to Electropop (New York:...

Cohabitation? The Resurgent Classical Film Score and Songs in the Batman Films

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

1

... itself. Music’s status in films has become elevatedGorbman, Unheard Melodies, 162; K. J. Donnelly, ‘Altered Status: A Review of Music in Postmodern Cinema and Culture’ in Earnshaw Steven, ed., Postmodern Surroundings (Amsterdam: Rodopi, 1994),...

Obscured by Pink Floyd

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

2

... in K. J. Donnelly, ‘Angel of the Air: Popol Vuh’s Music for Werner Herzog’s Films’ in Miguel Mera and David Burnand, eds., European Film Music (London: Ashgate, 2006).See some further discussion in K. J. Donnelly, ‘Angel of the Air: Popol...

Blaxploitation: Singing Across 110th Street

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

0

...Blaxploitation marks a point where film-makers, instead of looking to film convention and traditions of film scoring, aimed at procuring popular musicians to produce highly dramatic music which could then be used as a frame onto which...