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Projective Versification, Sound Recording, and Technologizing the Body

John Melillo

John Melillo is Assistant Professor of English at the University of Arizona, USA. He researches and teaches modern and contemporary literature, poetry, and sound studies. Melillo also makes noise/music under the name Algae & Tentacles. Author affiliation details are correct at time of print publication.

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The Poetics of Noise from Dada to Punk

Bloomsbury Academic, 2020

Scholarly Books

1

... of “unnecessary” frequencies (Sterne 2012: 124). From the suburban mall to the city street and from powerful amplified speakers to tiny telephone receivers, newly developed forms of electro-acoustic mediation could cover over or overpower...

Noise and the City: Writing and Punk Performance, 1965–80

John Melillo

John Melillo is Assistant Professor of English at the University of Arizona, USA. He researches and teaches modern and contemporary literature, poetry, and sound studies. Melillo also makes noise/music under the name Algae & Tentacles. Author affiliation details are correct at time of print publication.

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The Poetics of Noise from Dada to Punk

Bloomsbury Academic, 2020

Scholarly Books

1

... of experimental poets and performers. The loose term “Downtown” describes this set of experimenters, and it includes the second-generation New York School of poets, the “Downtown School” of music represented by composers like John Cage, Morton Feldman,...

Noise Music, Noise History: Articulations of Sound Forms in Time

John Melillo

John Melillo is Assistant Professor of English at the University of Arizona, USA. He researches and teaches modern and contemporary literature, poetry, and sound studies. Melillo also makes noise/music under the name Algae & Tentacles. Author affiliation details are correct at time of print publication.

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The Poetics of Noise from Dada to Punk

Bloomsbury Academic, 2020

Scholarly Books

2

... Stein, Stanley Kubrick, John Akomfrah, John Cage, and the Dadaist Kurt Schwitters. In her “handholding” with Schwitters, she performs a “duet” of sorts with a recording of his famous piece, the Ursonate (1922), a sound poem in sonata form...

Morality

John Shepherd

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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John Street

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

4

... refers to John Turner, who in 1833 noted that a more general diffusion of vocal music would ‘contribute largely to the rooting out of dissolute and debasing habits,’ and that songs chosen for performance should have texts that were ‘simple...

Declamation

Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

2

... adopting whatever feels appropriate for the music they wish to put across. Rap has further widened the boundaries of what is possible by legitimizing street language as performance rhetoric. Bibliography...

New York Downtown Scene

Bloomsbury Encyclopedia of Popular Music of the World Volume VIII : Genres: North America

The Continuum International, 2012

Encyclopedia Articles

3

... of a Downtown scene can be traced back to the composers John Cage (1912–92), Morton Feldman (1926–87), Christian Wolff (b. 1934), and Earle Brown (1926–2002), all of whom lived and worked around Tompkins Square Park near 8th Street from the 1950s...

Masculinity on trial: Noir Désir and perverse narcissism

Scary Monsters : Monstrosity, Masculinity and Popular Music

Bloomsbury Academic, 2021

Scholarly Books

2

... was in post-production with another film he had shot, Janis et John (2003), with Trintignant in the first eponymous role. Benchétrit addressed Trintignant in the text message as ‘Ma petite Janis’ (‘My little Janis’), an affectionate...

Introduction

Scary Monsters : Monstrosity, Masculinity and Popular Music

Bloomsbury Academic, 2021

Scholarly Books

2

... was outlined by Tim Carrigan, Bob Connell and John Lee in their influential 1985 article. While acknowledging that masculinity is plural and multiple, as well as being subject to change over time and space, the term ‘hegemonic masculinity’,...

On (vari-)speed across David Lynch’s work

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

2

... recording practice. During an interview on his sound work with Lynch, for instance, Hurley recalls the director’s request for the ‘John Lennon vocal effect’.Rhino, ‘Twin Peaks: An Interview with Music Director Dean Hurley’,...

Political Theory (Revised 2020)

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

4

... . 2003. Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties . Cambridge. MA: Harvard University Press. John Street...