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Producing TV Series Music in Istanbul

Eliot Bates

Eliot Bates is Assistant Professor of Ethnomusicology at the City University of New York Graduate Center. He is the author of Music in Turkey: Experiencing Music, Expressing Culture (2011) and Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture (2016). Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

3

... (Bates 2016).Fırtına literally means “storm,” but has a double meaning in the case of this show, as it also refers to a well-known river that is popular for trout fishing and whitewater rafting (both depicted in the show).Referring...

The Production of Music and Sound: A Multidisciplinary Critique

Eliot Bates

Eliot Bates is Assistant Professor of Ethnomusicology at the City University of New York Graduate Center. He is the author of Music in Turkey: Experiencing Music, Expressing Culture (2011) and Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture (2016). Author affiliation details are correct at time of print publication.

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and

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

4

... as a scene. Benjamin Brinner’s study (2009) of Israeli-Palestinian ethnic music collaborations depicts an industry that transpires at the intersection of the social networks of dozens of individual musicians. Eliot Bates’s research (2016)...

Recording Studios since 1970

Eliot Bates

Eliot Bates is Assistant Professor of Ethnomusicology at the City University of New York Graduate Center. He is the author of Music in Turkey: Experiencing Music, Expressing Culture (2011) and Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture (2016). Author affiliation details are correct at time of print publication.

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The Bloomsbury Handbook of Music Production

Bloomsbury Academic, 2020

Scholarly Books

3

... some of the reverberations and early reflections), as has been well documented by Schmidt Horning (2015) and Kinney (1999). In other national contexts, recordings happened at diverse locations such as Turkish municipal buildings (Bates...

The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

2

... of what Samantha Bennett and Eliot Bates term my “auto-ethnographic” approach, my own reflections as a fellow music practitioner have been included, allowing for the addition of “well founded insights” (Mostyn 1985: 118) or emic “cultural...

Auto-Tune In Situ: Digital Vocal Correction and Conversational Repair

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

2

... (award #1455647). It also benefited from the valuable feedback of Samantha Bennett, Eliot Bates, Michael Lynch, Rachel Prentice, Trevor Pinch, Steve Jackson, Mario Biagioli, Joe Dumit, Jim Griesemer, Tim Lenoir, Colin Milburn, and Tim Choy....

Intermixtuality: Case Studies in Online Music (Re)production

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

0

...Introduction This chapter explores remix practice within online music communities, specifically the ways in which participants engage with remix contests and mix stems. In “The Listener as Remixer,” I defined mix stems as, “unlike a full...
...Music constructs our sense of identity through the direct experiences it offers the body, time and sociability, experiences which enable us to place ourselves in imaginative cultural narratives. (Frith 1996: 124)The stories told about...

“An Indestructible Sound”: Locating Gender in Genres Using Different Music Production Approaches

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

0

...Introduction My intention in this chapter is to progress my response to what has been a paucity of research in music production and gender. The attention paid to female recordists has often been limited to noting their underrepresentation...

Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

0

...In the first decades of the twenty-first century, electronic dance music and video games emerged as dominant forms of popular cultural expression (Matos 2015; Bogost 2011). The rise of electronic dance music as a global industry parallels...

Field Recording and the Production of Place

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

0

...Introduction 1955. The advent of rock (Peterson 1990), but also a significant year in the histories of world music and of field recording. That same year, Columbia Records released The Columbia World Library of Folk and Primitive Music...