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The Production of Music and Sound: A Multidisciplinary Critique

Eliot Bates

Eliot Bates is Assistant Professor of Ethnomusicology at the City University of New York Graduate Center. He is the author of Music in Turkey: Experiencing Music, Expressing Culture (2011) and Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture (2016). Author affiliation details are correct at time of print publication.

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Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

2

... and their use that remain or are foregrounded in popular recordings. Works by Samantha Bennett (2015a,b) analyze recordings using a “tech-processual” analytical method. This includes a focus on contextual issues, such as the intentions...

Rock Music Engineering and Production

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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The Bloomsbury Handbook of Rock Music Research

Bloomsbury Academic, 2020

Scholarly Books

2

... and canonization focusing on the “aura” of Abbey Road studios.Bennett, “Behind the Magical Mystery Door.” Yet this skewed power dynamic is increasingly called into question with work focused on technological democratization...

Ethnography, Popular Music and Religion

The Bloomsbury Handbook of Religion and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

4

... grown, so have the ways in which ethnographic research methods have been applied across an array of often interrelated themes, including music-making practices (Bennett 1980; Cohen 1991), music scenes (Bennett and Peterson 2004), venues...

Frankfurt am Main

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume VII : Locations: Europe

The Continuum International, 2016

Encyclopedia Articles

4

... Andy Bennett . 1998. ‘The Frankfurt “Rockmobil”: A New Insight into the Significance of Music-Making for Young People.’ Youth and Policy 60: 16–29....

The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

1

... of what Samantha Bennett and Eliot Bates term my “auto-ethnographic” approach, my own reflections as a fellow music practitioner have been included, allowing for the addition of “well founded insights” (Mostyn 1985: 118) or emic “cultural...

Big songs and generational soundtracks

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... it comes to issues of appropriation and ownership (see, for example, DeNora, 2000; Bennett and Rogers, 2016). There are several key reasons for this. First, it was during the early 1950s that the industrial production and mass mediation...

Technological Hybridity: Conflations of Analogue, Digital, the Cutting Edge and the Vintage in the 1990s

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

1

... Lang, 2006), p. 102 . This early 1990s ‘tipping point’ Bennett, ‘Endless Analogue’. signified a change in the accessibility, utilization and application of technologies. By 1995, the influx...

Introduction

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... although Ferry (vocals and keyboards), Phil Manzanera (guitar) and Andy Mackay (saxophone, oboe and keyboards) remained in the band throughout its career. During the early 1970s Roxy Music produced what has since become their most critically...

Maverick Methods: Tech-Processual Unorthodoxies in Contemporary Record Production

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

1

... Andy Keep , ‘Does Creative Abuse Drive Developments in Record Production?’ The Art of Record Production Conference, 2005 [Online],...

New sounds for a new decade

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... festival, see Bennett, 2004) and the Rolling Stones, whose respective songs ‘Won’t Get Fooled Again’ and ‘Brown Sugar’ were both top 10 hits in the UK during 1971 and became rock anthems of the new decade. Of these two songs, the former track...