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Conclusion

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

...A radio interview with Philip Glass broadcast on Radio 4’s Today programme, Thursday 10 Oct 2014, reflected a core element of the mindset I have been critiquing in this book. The interviewer, John Humphrys, presumed that the following...

Popular Music and Place: Local, National and Global Stories

Sarah Baker

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Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...It’s sometimes hard for people to realize, but we’re an international arts organization. Our mission is to identify and preserve the ongoing history of country music. We’re also a local history museum, in part because we’re in Nashville...

Selling the Museum Experience: Curation, Economies and Visitor Experience

Sarah Baker

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Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...Well, it’s interesting because unlike a lot of museums, a large portion of the way we operate [is] almost like a business, but it’s the ticket sales and stuff that people buy in the store, that’s a big portion of our revenue, and we do get...

Managing the Music: Sound in the Popular Music Museum

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...A few years ago I went to the British Music Experience in London. I was a bit disappointed because I was used to [Nederlands Instituut voor Beeld en Geluid’s use of full audio tracks from the archive] and it was all snippets, like thirty...

Crowdfunding and Alternative Modes of Production

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

...Crowdfunding has rapidly gained exposure as a new way for musicians, composers, record producers and all manner of music creatives to find new ways of realizing their work. Among the general excitement, there is often considerable media...

Analysing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

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...Analytical methodology As set out in the Introduction, the impact of sound and music technologies on popular music recordings cannot be illuminated via musical descriptors alone. In this chapter, I illustrate how the sound recording...

Curator Subjectivity: Influence and Bias in Popular Music Exhibitions

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...The sort of music I loved is sort of pop music from the late ’60s and into the ’70s and Bob Dylan and all that stuff. … I’ve never done an exhibition without somehow including Bob Dylan. Even snuck him into the On the Box: Great Moments...

Introduction: Complexities of Genre, of Mediation, and of Community

Mads Krogh

Mads Krogh is Associate Professor at the School of Communication and Culture, section for Musicology, Aarhus University, Denmark. Author affiliation details are correct at time of print publication.

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Morten Michelsen

Morten Michelsen is Associate Professor in the Section for Musicology, University of Copenhagen, Denmark. Author affiliation details are correct at time of print publication.

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Music Radio : Building Communities, Mediating Genres

Bloomsbury Academic, 2019

Scholarly Books

...Turn on the radio! If someone talks, flick through the stations, and soon you will find yourself engulfed in music. Follow the rhythms – adjust your mood by choice of station, adjust your schedule, your energy...

Introduction

Robert Edgar

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Robert Edgar is Associate Professor in the York Centre for Writing at York St. John University, UK. His publications include Screenwriting (2009), The Language of Film (2015), The Music Documentary: Acid Rock to Electropop (co-editor, 2013) and The Arena Concert (co-editor, 2015). Author affiliation details are correct at time of print publication.

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Fraser Mann

Fraser Mann is Senior Lecturer in English Literature at York St. John University, UK. He is a specialist in war literature and memoir with particular interests in testimony, gender and trauma. Author affiliation details are correct at time of print publication.

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Helen Pleasance

Helen Pleasance is Senior Lecturer in Creative Writing and English Literature at York St. John University, UK. Her research interests include contemporary fiction and creative non-fiction in all its forms, especially memoir, biography, true crime and hybrid forms. Author affiliation details are correct at time of print publication.

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Music, Memory and Memoir

Bloomsbury Academic, 2019

Scholarly Books

...Conception This collection came together through a series of happy accidents. Shared office space, chats in the pub and similar summer reading lists slowly moved towards something of an academic epiphany. Ostensibly, the three of us...

Listening to or Through Technology: Opaque and Transparent Mediation

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

...Despite an emerging interest in analysing the technological aspects of popular music production (Bayley 2010; Cook et al. 2009; Frith and Zagorski-Thomas 2016), scholars continue to lack a conceptual framework for addressing previously...