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Conclusion

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

...A radio interview with Philip Glass broadcast on Radio 4’s Today programme, Thursday 10 Oct 2014, reflected a core element of the mindset I have been critiquing in this book. The interviewer, John Humphrys, presumed that the following...

Crowdfunding and Alternative Modes of Production

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

...Crowdfunding has rapidly gained exposure as a new way for musicians, composers, record producers and all manner of music creatives to find new ways of realizing their work. Among the general excitement, there is often considerable media...

Analysing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

...Analytical methodology As set out in the Introduction, the impact of sound and music technologies on popular music recordings cannot be illuminated via musical descriptors alone. In this chapter, I illustrate how the sound recording...

Introduction: Complexities of Genre, of Mediation, and of Community

Mads Krogh

Mads Krogh is Associate Professor at the School of Communication and Culture, section for Musicology, Aarhus University, Denmark. Author affiliation details are correct at time of print publication.

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Morten Michelsen

Morten Michelsen is Associate Professor in the Section for Musicology, University of Copenhagen, Denmark. Author affiliation details are correct at time of print publication.

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Music Radio : Building Communities, Mediating Genres

Bloomsbury Academic, 2019

Scholarly Books

...Turn on the radio! If someone talks, flick through the stations, and soon you will find yourself engulfed in music. Follow the rhythms – adjust your mood by choice of station, adjust your schedule, your energy...

Listening to or Through Technology: Opaque and Transparent Mediation

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

...Despite an emerging interest in analysing the technological aspects of popular music production (Bayley 2010; Cook et al. 2009; Frith and Zagorski-Thomas 2016), scholars continue to lack a conceptual framework for addressing previously...

The Show of Nations

Dean Vuletic

Dean Vuletic is a historian of contemporary Europe who, as a Marie Sklodowska-Curie Fellow, has led the project ‘Eurovision: A History of Europe through Popular Music’ at the University of Vienna, Austria. Author affiliation details are correct at time of print publication.

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Postwar Europe and the Eurovision Song Contest

Bloomsbury Academic, 2018

Scholarly Books

...Gigliola Cinquetti was the only singer during the Cold War who represented Italy in and won the ESC, and won it, even though the song contest had been invented in Italy and the state had one of the most successful national popular music...

This is not a remix

Margie Borschke

Margie Borschke is Senior Lecturer in Journalism and Media at Macquarie University in Sydney, Australia. She studies contemporary and historical media use and how it contributes to the production of knowledge and culture. Author affiliation details are correct at time of print publication.

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This is Not a Remix : Piracy, Authenticity and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...IntroductionKim Dotcom’s arrest in 2012 was just like a movie: helicopters swooped in; hounds were unleashed; and semi-automatic weapons were waved in the air, wielded by the New Zealand police who stormed into the rural mansion where...

Introduction: Popular Music, Architecture and the Home

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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This Must Be The Place : An Architectural History of Popular Music Performance Venues

Bloomsbury Academic, 2019

Scholarly Books

...Music has always been important to human beings. As the musician, music producer and psychologist Daniel Levitin states, it is ‘unusual among all human activities for both its ubiquity and its antiquity. No known human culture now...

Confronting Bowie’s Mysterious Corpses

Enchanting David Bowie : Space/Time/Body/Memory

Bloomsbury Academic, 2015

Scholarly Books

...Introduction ‘Confront a corpse at least once’ Bowie implored, ‘. . . the absolute absence of life is the most disturbing and challenging confrontation you will ever have’ (Bowie, 2004). His words accompanied a haunting photographic...

Copy, a brief history

Margie Borschke

Margie Borschke is Senior Lecturer in Journalism and Media at Macquarie University in Sydney, Australia. She studies contemporary and historical media use and how it contributes to the production of knowledge and culture. Author affiliation details are correct at time of print publication.

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This is Not a Remix : Piracy, Authenticity and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...What does it mean to deem an artifact a copy? Does it matter that copies and replication are central to the functioning of digital technologies? In this chapter I summarize some pivotal ideas about copies and copying in ancient...