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Conclusion

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

...A radio interview with Philip Glass broadcast on Radio 4’s Today programme, Thursday 10 Oct 2014, reflected a core element of the mindset I have been critiquing in this book. The interviewer, John Humphrys, presumed that the following...

Vignette: One of Two: Carly Simon’s New Boyfriend

Macon Holt

Macon Holt completed his PhD at the Centre for Cultural Studies, Goldsmith University of London, UK, in 2017. He is a contributing editor at the music magazine Passive/Aggressive and his writing has appeared in Atlas Magasin, Blacklisted Copenhagen, The Ark Review and Full Stop. He has taught at Lund University, The Royal Danish Academy of Art and the Leeds College of music. Author affiliation details are correct at time of print publication.

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Pop Music and Hip Ennui : A Sonic Fiction of Capitalist Realism

Bloomsbury Academic, 2019

Scholarly Books

...I tried to sit, and write about a feeling I had had when I was younger. But it took some time and effort for me to go back far enough. The teenage years are the obstacle as this was a time when the discursive structures that surrounded me...

Catharsis

Macon Holt

Macon Holt completed his PhD at the Centre for Cultural Studies, Goldsmith University of London, UK, in 2017. He is a contributing editor at the music magazine Passive/Aggressive and his writing has appeared in Atlas Magasin, Blacklisted Copenhagen, The Ark Review and Full Stop. He has taught at Lund University, The Royal Danish Academy of Art and the Leeds College of music. Author affiliation details are correct at time of print publication.

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Pop Music and Hip Ennui : A Sonic Fiction of Capitalist Realism

Bloomsbury Academic, 2019

Scholarly Books

...Feelin’ Good To be overcome by geopolitical guilt sucks. This section’s title is a reference to a lyric (Simone 2013). It feels lousy. But even when you don’t take in that grand scale, there are so many little, and not so little, things...

Hegemony, Symbolic Violence, and Popular Music Education: A Matter of Class

The Bloomsbury Handbook of Popular Music and Social Class

Bloomsbury Academic, 2020

Scholarly Books

...Introduction Sociologists have drawn attention to the close relationships between education, class and culture (Bernstein 2000; Bourdieu and Passeron 1990). Moreover, sociological work has highlighted the strong reproductive effect...

Popular Music and Place: Local, National and Global Stories

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...It’s sometimes hard for people to realize, but we’re an international arts organization. Our mission is to identify and preserve the ongoing history of country music. We’re also a local history museum, in part because we’re in Nashville...

Reintroduction: Trivial, Derivative, Tenacious—Christina Aguilera’s Mi Reflejo (2000)

D. Gilson

D. Gilson is Assistant Professor of English at Texas Tech University, and author of I Will Say This Exactly One Time: Essays (2015) and Brit Lit (2013). Author affiliation details are correct at time of print publication.

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The 33 1/3 B-Sides

Bloomsbury Academic, 2020

Scholarly Books

...“I want to be an all-around entertainer. I want to act, make films, make albums, do whatever I can.”Between August 24, 1999, and October 26, 2002, Christina “The Voice” Aguilera released four studio albums: her self-titled debut (1999), Mi...

Selling the Museum Experience: Curation, Economies and Visitor Experience

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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and

Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...Well, it’s interesting because unlike a lot of museums, a large portion of the way we operate [is] almost like a business, but it’s the ticket sales and stuff that people buy in the store, that’s a big portion of our revenue, and we do get...

Managing the Music: Sound in the Popular Music Museum

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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and

Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...A few years ago I went to the British Music Experience in London. I was a bit disappointed because I was used to [Nederlands Instituut voor Beeld en Geluid’s use of full audio tracks from the archive] and it was all snippets, like thirty...

The Palimpsestic Pop Music Video

The Bloomsbury Handbook of Popular Music Video Analysis

Bloomsbury Academic, 2019

Scholarly Books

...Current debates concerning popular music videos frequently center on notions of hybridity exploring how post-cinematic visual aesthetics develop from and enhance a pre-existing music soundtrack. With this chapter I propose the application...

Vignette: Jessie J at the Closing Ceremony of the 2012 London Olympics

Macon Holt

Macon Holt completed his PhD at the Centre for Cultural Studies, Goldsmith University of London, UK, in 2017. He is a contributing editor at the music magazine Passive/Aggressive and his writing has appeared in Atlas Magasin, Blacklisted Copenhagen, The Ark Review and Full Stop. He has taught at Lund University, The Royal Danish Academy of Art and the Leeds College of music. Author affiliation details are correct at time of print publication.

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Pop Music and Hip Ennui : A Sonic Fiction of Capitalist Realism

Bloomsbury Academic, 2019

Scholarly Books

...This is a moment that exists only for television. The people here are here for the benefit of television. They may have their own reasons for attending woven into the course of their lives, some profound, some banal. Just to call...