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‘I Am Telling You Because You Are Far Away’: Internationalism and Sarah’s Written Communiqués

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Popkiss : The Life and Afterlife of Sarah Records

Bloomsbury Academic, 2015

Scholarly Books

...Those who found themselves in the company of Matt Haynes often struggled to reconcile the personality they thought they knew from his fanzines – blunt, righteous, hilarious, opinionated to such a degree that he occasionally seemed enraged...

‘A Day for Destroying Things…’: The End of Sarah

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Popkiss : The Life and Afterlife of Sarah Records

Bloomsbury Academic, 2015

Scholarly Books

...When Sarah’s as-yet-undetermined fiftieth release was approaching, early in 1991, Mike Chadwick at Revolver asked Wadd and Haynes if they were planning anything special to mark the occasion. They replied that they were thinking of shutting...

Protestival: Global days of action and carnivalized politics at the turn of the millennium

Graham St John

Graham St John is a Postdoctoral Researcher in the Dept of Social Sciences, University of Fribourg, Switzerland, and an Adjunct Research Fellow in the Griffith Centre for Cultural Research, Griffith University, Australia. He is Executive Editor of Dancecult: Journal of Electronic Dance Music Culture. Author affiliation details are correct at time of print publication.

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The Pop Festival : History, Music, Media, Culture

Bloomsbury Academic, 2015

Scholarly Books

...This chapter was originally published in full in Social Movement Studies (St John 2008) and references to the ‘present’ or ‘contemporary’ refer to events at the turn of the millennium. Readers are encouraged to consult that article...

Sound Minds: Mapping Recordists’ Attitudes

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

...In Good Vibrations, Mark Cunningham stated:Sound effects, which had taken the previous generation of artists many weeks, even months, to perfect through antiquated methods were ‘stolen’, fed into samplers and applied to mostly unrelated new...

Digital deliria and transformative hype

Jim Rogers

Jim Rogers is a Research Fellow and Associate Lecturer at the School of Communications, Dublin City University. His research focuses on the evolving form and nature of the media and cultural industries in the digital era. Author affiliation details are correct at time of print publication.

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The Death and Life of the Music Industry in the Digital Age

Bloomsbury Academic, 2013

Scholarly Books

...In some ways we are the canary down the mine, the first battle ground, but behind us goes anyone who creates anything that can be turned into data . . .Since the 1960s Simon Napier-Bell has worked as a songwriter, record producer...

Introduction: Mute Records

Richard Osborne

Richard Osborne is Senior Lecturer in Popular Music at Middlesex University, UK. Prior to becoming a lecturer he worked in record shops, held various posts at PRS for Music, and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012). Author affiliation details are correct at time of print publication.

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Zuleika Beaven

Zuleika Beaven is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK. She is Programme Leader for the MA Arts Management, and teaches on the undergraduate popular music and music business degrees. Her research focuses on musician work and identity in the commercial space. Author affiliation details are correct at time of print publication.

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Mute Records : Artists, Business, History

Bloomsbury Academic, 2019

Scholarly Books

...Enjoy the silence Does any other label have a more pertinent foundation story than Mute? It has been recounted many times and is touched upon by several of the authors in this collection. With good reason, we...

Mysticism and Metal Music

Owen Coggins

Owen Coggins is Honorary Associate of the Religious Studies Department at The Open University, UK. Author affiliation details are correct at time of print publication.

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Mysticism, Ritual and Religion in Drone Metal

Bloomsbury Academic, 2018

Scholarly Books

...Introduction On a Thursday evening at the Brudenell Social Club in Leeds, a crowd of around three hundred people fall silent at the heavily amplified sound of a recorded Arabic prayer that is broadcast to Muslim pilgrims as they approach...

Blackened Puppets: Chris Cunningham’s Weird Anatomies

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

...In this chapter, I shall suggest that music videos constitute moving bodies – puppets, if you will – which in turn have the power to move viewers, in fact to enlist their viewers into a process of metamorphosis. My focus is the work...

Cohabitation? The Resurgent Classical Film Score and Songs in the Batman Films

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

...Music was and continues to be an integral part of the multimedia phenomenon of Hollywood blockbuster films. This is highly evident in the Batman series of films. Danny Elfman wrote the musical scores for Batman (1989) and Batman Returns...

Conclusion

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

...The introduction of sound recording in the late nineteenth century and the development of multitrack tape recording in the twentieth century have been rightly cited as key turning points in the history of music. See Schmidt Horning,...