Loading

Results

  • Cabaret Voltaire Close
Sort By:  1-4 of 4 (1 page)
Results per page:
         

Audiovision and Gesamtkunstwerk: The Aesthetics of First- and Second-Generation Industrial Music Video

Michael Goddard

Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK. Author affiliation details are correct at time of print publication.

Search for publications

Music/Video : Histories, Aesthetics, Media

Bloomsbury Academic, 2017

Scholarly Books

...Introduction: Industrial music, video, and audiovision Michel Chion has famously and provocatively referred to film as a sound art (Chion 2009), developing his earlier reading of cinema in the synaesthetic audiovisual terms of audiovision...

Productive boredom and unproductive labour: Cabaret Voltaire in the People’s Republic of South Yorkshire

Jon Hackett

Jon Hackett

Search for publications

Mad Dogs and Englishness : Popular Music and English Identities

Bloomsbury Academic, 2017

Scholarly Books

...The focus of this chapter is twofold but in each case involves us returning to the 1970s. First, I propose to revisit some theoretical debates that were being conducted at that time from within British Marxism, in relation to certain...

Cabaret Voltaire

Artist Pages

Image
...Luminary in the history of industrial music, Cabaret Voltaire was formed in 1973 in Sheffield, England by Richard H. Kirk, Stephen Mallinder, and Chris Watson. The band borrowed its name from the historic club in Zurich, Switzerland...

Industrial Music

Jason Hanley

Jason Hanley

Search for publications

Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...The industrial music style and subculture developed in the mid-1970s in England and Germany from a mixture of experimental popular music sounds, performance art theatricality, avant-garde compositional techniques, and an ideological...