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Conclusion

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

...A radio interview with Philip Glass broadcast on Radio 4’s Today programme, Thursday 10 Oct 2014, reflected a core element of the mindset I have been critiquing in this book. The interviewer, John Humphrys, presumed that the following...

Recontextualization and Fascist Music

Music as Multimodal Discourse

Bloomsbury Academic, 2017

Scholarly Books

...Introduction The vast majority of work examining identity and politics in musicology, and in popular music studies in particular, presumes and sometimes explicitly argues that music is personally and socially therapeutic – that since music...

Listening to or Through Technology: Opaque and Transparent Mediation

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

...Despite an emerging interest in analysing the technological aspects of popular music production (Bayley 2010; Cook et al. 2009; Frith and Zagorski-Thomas 2016), scholars continue to lack a conceptual framework for addressing previously...

Music, Religion and Protest

The Bloomsbury Handbook of Religion and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...Beginning a chapter on music, religion and protest with a quotation from poetry may seem incongruous. Yet the poet in question, Seamus Heaney (1939–2013), who was the recipient of the 1995 Nobel Prize in Literature, possessed one...
...Introduction Turkey’s 2013 protests started in Istanbul’s Gezi Park on 28 May as a demonstration by a few city planners and environmentalists to save a public green space. By 31 May, approximately three and a half million people were...

Conclusion: The Only Band that Matters

Samuel Cohen

Samuel Cohen is Associate Professor of English at the University of Missouri, Columbia, USA. He is the author of After the End of History: American Fiction in the 1990s and co-editor of The Legacy of David Foster Wallace. He is also Series Editor of the New American Canon: The Iowa Series in Contemporary Literature and Culture, co-editor of JMMLA, and author of Fifty Essays: A Portable Anthology and Literature: The Human Experience. Author affiliation details are correct at time of print publication.

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and

James Peacock

James Peacock is Senior Lecturer in English and American Literatures at Keele University, UK. His articles on contemporary American fiction have appeared in Journal of American Studies, English and Critique. Author affiliation details are correct at time of print publication.

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The Clash Takes on the World : Transnational Perspectives on The Only Band that Matters

Bloomsbury Academic, 2017

Scholarly Books

...Punk died the day The Clash signed to CBS.Mark Perry, qtd. in Frere-Jones 2004Punk became a movement ‘cos we all felt lost/Leaders sold out and now we all pay the costCrass, ‘Punk Is Dead’, 1978So, all readers will agree that The Clash...

Young Marble Giants' Colossal Youth

Michael Blair

Michael Blair grew up in St. Louis and lives in New York. He works at BOMB Magazine and is a founding member of the Hi Fi Snock Uptown collective. Author affiliation details are correct at time of print publication.

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Joe Bucciero

Joe Bucciero is a writer born in Chicago and based in New York. He helps edit the music zine AdHoc and the journal Blank Forms, and has written for the Quietus, the Brooklyn Rail, Los Angeles Review of Books, and others. Author affiliation details are correct at time of print publication.

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Bloomsbury Academic, 2017

33 1/3 Books

Image
...Welsh post-punk band Young Marble Giants released one LP in 1980 and then, like their vanishing portraits on the album’s cover, disappeared. Even though Colossal Youth received positive reviews and sold surprisingly well, Young Marble...

Out of sight: The mediation of the music festival

The Pop Festival : History, Music, Media, Culture

Bloomsbury Academic, 2015

Scholarly Books

...The children danced night and day. The pop festival grows from nothing; it rises up from an empty space into an audio-visual spectacle, captivating the thousands of individuals who have made the pilgrimage to witness...

Gebrauchsmusik

Peter Wicke

Center for Popular Music Research, The Humboldt Univeristy, Berlin Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...Gebrauchsmusik, literally ‘music to be used,’ is a term coined in 1921 by the German ethnomusicologist Paul Nettl (1889–1972) to refer to music the primary purpose of which – in contrast to ‘art music’ – is some kind of practical activity...