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Conclusion

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Popular Music and the Politics of Novelty

Bloomsbury Academic, 2016

Scholarly Books

...A radio interview with Philip Glass broadcast on Radio 4’s Today programme, Thursday 10 Oct 2014, reflected a core element of the mindset I have been critiquing in this book. The interviewer, John Humphrys, presumed that the following...

Recontextualization and Fascist Music

Music as Multimodal Discourse

Bloomsbury Academic, 2017

Scholarly Books

...Introduction The vast majority of work examining identity and politics in musicology, and in popular music studies in particular, presumes and sometimes explicitly argues that music is personally and socially therapeutic – that since music...

Popular Music and Place: Local, National and Global Stories

Sarah Baker

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Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...It’s sometimes hard for people to realize, but we’re an international arts organization. Our mission is to identify and preserve the ongoing history of country music. We’re also a local history museum, in part because we’re in Nashville...

Living History: Nostalgia as Affective Curatorial Practice

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...And people look at it and say ‘Oh gosh!’—it might’ve been an old Gene Autry or a Roy Rogers—and say ‘I had that when I was a kid’. It jogs a lot of people’s memories when they see these things.The concept of nostalgia is used widely...

Introduction: Popular Music, Architecture and the Home

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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This Must Be The Place : An Architectural History of Popular Music Performance Venues

Bloomsbury Academic, 2019

Scholarly Books

...Music has always been important to human beings. As the musician, music producer and psychologist Daniel Levitin states, it is ‘unusual among all human activities for both its ubiquity and its antiquity. No known human culture now...

Treating Objects like Art: Curating Material Culture

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...It’s still a challenge to find places that will take an [travelling] exhibit, if they’re not a music museum. And art museums typically won’t do it because they’re like, ‘well, that’s material culture and we’re not interested in that’....

Confronting Bowie’s Mysterious Corpses

Enchanting David Bowie : Space/Time/Body/Memory

Bloomsbury Academic, 2015

Scholarly Books

...Introduction ‘Confront a corpse at least once’ Bowie implored, ‘. . . the absolute absence of life is the most disturbing and challenging confrontation you will ever have’ (Bowie, 2004). His words accompanied a haunting photographic...

Telling Stories: Narratives of Popular Music’s Past

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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and

Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...I got into this business by happenstance. My background was as a music journalist … as a freelancer. [Respondent 12] contacted me and said … ‘Would you be interested in being a consultant [for the Rock and Roll Hall of Fame and Museum]?’ …...

Crowdfunding and Alternative Modes of Production

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

...Crowdfunding has rapidly gained exposure as a new way for musicians, composers, record producers and all manner of music creatives to find new ways of realizing their work. Among the general excitement, there is often considerable media...

Analysing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

...Analytical methodology As set out in the Introduction, the impact of sound and music technologies on popular music recordings cannot be illuminated via musical descriptors alone. In this chapter, I illustrate how the sound recording...