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Standard Jazz Harmony and the Constraints of Hypermeter

Keith Salley

Keith Salley

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Daniel T. Shanahan

Daniel T. Shanahan

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Over and Over : Exploring Repetition in Popular Music

Bloomsbury Academic, 2018

Scholarly Books

...As unpredictable as jazz may seem, standard jazz repertoire is usually underpinned by regular and repetitive metric structures.As in Salley and Shanahan 2016, we define standard jazz repertoire as compositions written by North American...

Conclusions

José Dias

José Dias is Senior Lecturer in Music at Manchester Metropolitan University, UK, and a jazz researcher, documentarist, composer and musician. He has developed research on European jazz and music for screen and has scored music for theatre, contemporary dance and film. Author affiliation details are correct at time of print publication.

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Jazz in Europe : Networking and Negotiating Identities

Bloomsbury Academic, 2019

Scholarly Books

...The civilization of Europe has been built upon a series of transnational connections between cities. These networks are a crucial element in the way Europeans have led technological, aesthetic and political changes throughout the centuries....

The instrumentarium of Wes Anderson and Alexandre Desplat

Ewan Clark

Ewan Clark

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Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...Wes [Anderson’s] movies are of another world. They come from Wes’ world, which is a very specific and special work of his own. ... So I use my imagination in the same way that he does and try and create first an instrumentarium – a bunch...

Blues and Jazz

Cheetham David

Cheetham David

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The Bloomsbury Handbook of Religion and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...Introduction In the twenty-first century, the fusion or mixing of styles across all aspects of our culture has become a familiar experience. In music, globalization has caused many different musical forms, styles of performance, cultural...

Jazz Clubs, Social Clubs and Riverboats

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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This Must Be The Place : An Architectural History of Popular Music Performance Venues

Bloomsbury Academic, 2019

Scholarly Books

...At the Spotted Cat Music Club, in the Faubourg Marigny district of New Orleans, the music starts early and finishes late – tonight, it’s the Shotgun Jazz Band. The double-bass and six-string banjo players sit in the window seats that face...

Electro Swing: Re-introducing the Sounds of the Past into the Music of the Future

Chris Inglis

Chris Inglis

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Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

...As we are beginning to make headway into the twenty-first century, one of the most heavily used techniques in the production of popular music is the practice of sampling. This has become increasingly prevalent, particularly within...

Out of sight: The mediation of the music festival

Mark Goodall

Mark Goodall

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The Pop Festival : History, Music, Media, Culture

Bloomsbury Academic, 2015

Scholarly Books

...The children danced night and day. The pop festival grows from nothing; it rises up from an empty space into an audio-visual spectacle, captivating the thousands of individuals who have made the pilgrimage to witness it....

Jews, Judaism and Popular Music

Stratton Jon

Stratton Jon

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The Bloomsbury Handbook of Religion and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...From time immemorial we Jews have loved music, and have understood what it really is. Even our worst enemies could not deny this. … Whenever a Cantor makes his appearance in our midst, we rush off to buy tickets to hear him, let them cost...

Bembeya Jazz

Artist Pages

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...As a prominent interpreter of Guinean folk music, Bembeya Jazz National combined Afropop with its nation’s musical culture to produce one of the continent’s most popular sounds. Following Guinean independence in 1958, bands were encouraged...

Keychanges at Cheltenham Jazz Festival: Issues of Gender in the UK Jazz Scene

Sarah Raine

Sarah Raine is Research Fellow at Birmingham City University, UK. She is co-editor of The Northern Soul Scene (forthcoming), the Review Editor and special issue Guest Editor (2018) for IASPM@Journal, and the co-Managing Editor of Riffs: Experimental Writing on Popular Music. She researches the hidden histories and peripheral participant voices within multigenerational music scenes. Author affiliation details are correct at time of print publication.

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Towards Gender Equality in the Music Industry : Education, Practice and Strategies for Change

Bloomsbury Academic, 2019

Scholarly Books

...This chapter explores issues of gender in the UK jazz scene as narrated through the (anonymized) experiences of four female musicians. Emerging out of a partnership research project, these issues then set the scene for a critical reflection...