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Vocalized Tone (Revised 2018)

Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

...‘Vocalized tone’ is a term used to describe the timbre of sounds produced from non-vocal sources (for example, instrumental or electronic) that are thought to possess characteristics associated with vocal sounds. The particular sort...

Maps

David Horn

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.

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John Shepherd

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume VIII : Genres: North America

The Continuum International, 2012

Encyclopedia Articles

Maps

David Horn

,

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.

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John Shepherd

,

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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Heidi Feldman

,

Heidi Feldman is Lecturer in Ethnomusicology at the University of Southampton, UK. Author affiliation details are correct at time of print publication.

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Mona-Lynn Courteau

,

Mona-Lynn Courteau is an academic editor based in Auckland, New Zealand. Author affiliation details are correct at time of print publication.

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Pamela Narbona Jerez

Pamela Narbona Jerez is a musicologist and a singer based in San Diego. She is currently an independent researcher in music and a freelance translator and editor. Author affiliation details are correct at time of print publication.

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Hettie Malcomson

Hettie Malcomson is Lecturer in Ethnomusicology at the University of Southampton, UK. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume IX : Genres: Caribbean and Latin America

Bloomsbury Academic, 2014

Encyclopedia Articles

Terminally Climactic Forms

Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

...Most pop and rock songs from the 1950s onward can be described as either strophic forms or verse–chorus forms. In strophic forms, serial presentations of ‘A’ sections may be broken up by a contrasting ‘B’ section (often called the ‘bridge...

Maps

John Shepherd

,

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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David Horn

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.

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Dave Liang

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume IV : Locations: North America

Continuum, 2016

Encyclopedia Articles

Maps

Heidi Carolyn Feldman

,

Heidi Feldman is an AAUW American Postdoctoral Research Fellow and Visiting Scholar at University of California, San Diego’s Center for Iberian and Latin American Studies, USA. She served as Volume Editor for the Bloomsbury Encyclopedia of Popular Music of the World from 2010 to 2017. In 2007, her book, Black Rhythms of Peru: Reviving African Musical Heritage in the Black Pacific, earned the International Association for the Study of Popular Music-U.S.’s Woody Guthrie Prize. Author affiliation details are correct at time of print publication.

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David Horn

,

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.

Search for publications

John Shepherd

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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and

Gabrielle Kielich

Gabrielle Kielich is a PhD Candidate in the department of Art History and Communication Studies at McGill University in Montreal, Canada. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume XII : Genres: Sub-Saharan Africa

Bloomsbury Academic, 2019

Encyclopedia Articles

Voice

John Shepherd

,

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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David Horn

,

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.

Search for publications

Dave Laing

,

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Paul Oliver

Paul Oliver is a Fellow of Oxford Brookes University. Author affiliation details are correct at time of print publication.

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Peter Wicke

Center for Popular Music Research, The Humboldt Univeristy, Berlin Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

Native America (North)

Bloomsbury Encyclopedia of Popular Music of the World Volume IV : Locations: North America

Continuum, 2016

Encyclopedia Articles

...Population: ca. 3,500,000 Defining the label ‘popular music’ in relation to Native American music in the United States, and to First Nations, Inuit and Métis music in Canada, raises huge issues of categorization. Furthermore...

Verse (Revised 2018)

Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

...In popular music, the term ‘verse’ refers to a discrete formal section in a song which recurs with identical music and different lyrics. In ‘simple verse form’ (also referred to as ‘strophic’ or ‘AAA form’), verses are the only components...

Voice as Instrument (Revised 2018)

Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

...Voice is the faculty whereby human beings (and some other creatures) produce sound (speech, music and other sounds) through use of the lungs, throat and mouth as an acoustic system. Considered as a musical instrument, the voice...