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Works by The Doors

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1965

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1966

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1967

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1968

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1969

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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A Three-cornered Quartet

Peter Mills

Peter Mills is Senior Lecturer in Media & Popular Culture at Leeds Metropolitan University, UK. Hewas singer and lyricist for the band Innocents Abroad who made two albums, Quaker City and Eleven. He has taught music, literature and philosophy at universities in the UK , Hungary, Romania and Croatia, and has published work on, amongst others,Samuel Beckett,Olaf Stapledon,Hungarian folk music, Pink Floyd, national anthems and The KLF. Author affiliation details are correct at time of print publication.

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Acid Jazz

Caspar Melville

Caspar Melville

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Afroma

John Lwanda

John Lwanda

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Album-Oriented Rock

Edward L. Macan

Edward L. Macan

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Alcohol

David Buckley

David Buckley

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and

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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All day, all week, occupy all streets! Race, class, and hip hop in the Occupy Movement

Christopher Malone

,

Christopher Malone is Associate Professor and Chair of the Department of Political Science at Pace University, USA. He is the author of Between Freedom and Bondage (2007) and co-editor of Occupying Political Science (2013). Author affiliation details are correct at time of print publication.

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George Martinez

George Martinez Jr. is Adjunct Professor of Political Science at Pace University, USA, and is founder/CEO of the Global Block Foundation. He serves as Cultural Envoy and Hip-Hop Ambassador for the U.S. Department of State. Author affiliation details are correct at time of print publication.

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and

Davina Anderson

Davina Anderson

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Alternative Rock

Theo Cateforis

Theo Cateforis

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An Analysis of The Clash in Concert: 1977 to 1982

Peter Smith

Peter Smith

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And the Band Begins to Play

Kenneth Womack

Kenneth Womack is Professor of English and Dean of the Wayne D. McMurray School of Humanities & Social Sciences at Monmouth University, USA. Author affiliation details are correct at time of print publication.

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Arenas

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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Attention

Macon Holt

Macon Holt completed his PhD at the Centre for Cultural Studies, Goldsmith University of London, UK, in 2017. He is a contributing editor at the music magazine Passive/Aggressive and his writing has appeared in Atlas Magasin, Blacklisted Copenhagen, The Ark Review and Full Stop. He has taught at Lund University, The Royal Danish Academy of Art and the Leeds College of music. Author affiliation details are correct at time of print publication.

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Avatars of the Future: Structuring Music

Shelton Waldrep

Shelton Waldrep is Professor of English at the University of Southern Maine, USA, and currently the Trustee Professor of the University of Maine System. Author affiliation details are correct at time of print publication.

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Bachata

Julie A. Sellers

Julie A. Sellers

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Being There

Alice O’Grady

Alice O’Grady

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Beyond the Typology: Concluding Thoughts

Sarah Baker

,

Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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and

Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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