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The Adaptive Musician: The Case of Peter Hook and Graham Massey

Ewa Mazierska

Ewa Mazierska is Professor of Film Studies at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

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and

Tony Rigg

Tony Rigg is a music business practitioner with a background in senior management positions for market leading companies, a music producer with a chart pedigree and an educator. Author affiliation details are correct at time of print publication.

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Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

4

... as professional musicians. We also consider whether there are any lessons that younger generations of musician can draw from their successes and failures. In order to do so, one of the authors, Tony Rigg, conducted in-depth interviews...

Introduction: The Future of and Through Music

Ewa Mazierska

,

Ewa Mazierska is Professor of Film Studies at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

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Les Gillon

Les Gillon is a researcher, musician and teacher at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

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and

Tony Rigg

Tony Rigg is a music business practitioner with a background in senior management positions for market leading companies, a music producer with a chart pedigree and an educator. Author affiliation details are correct at time of print publication.

Search for publications

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

4

... and different genres, such as pop, rock, experimental music and electro swing. This begins with Chapter 6, by Ewa Mazierska and Tony Rigg, who examine two musicians from the north-west of England whose music careers spans over forty years:...

Electro Swing: Re-introducing the Sounds of the Past into the Music of the Future

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

1

... with famed crooner Tony Bennett (2014). One of the songs off this album, ‘I Can’t Give You Anything But Love’, was even in fact given an official electro swing remix by Parov Stelar (LadyGagaVEVO 2014). The genre’s increasing popularity can...

Curators as Taste Entrepreneurs in the Digital Music Industries

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...The power of lists On 22 November 2017, online electronic music magazine and community platform Resident Advisor, established in 2001, published a feature article explaining why the team had decided to stop publishing...

‘They Sold the Festival Out!’ Axionormativity as the Future of Festivals

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...‘This festival is over!’ shouted a group of young women and men, their clenched fists up in the air. ‘They sold the festival out!’ A 30-year-old punk wearing a studded jacket was the loudest. The words chanted by a dozen or so people...

Where Do We Go From Here? The Future of Composers in the Post-digital Era

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...The aim of this chapter is to discuss some of the effects that digitalization has on the daily life of composers. Digitalization has changed the music world in ways we never could have imagined. The CD first came to the market in 1982...

Rethinking Independence: What Does ‘Independent Record Label’ Mean Today?

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...Until the 1990s, the term independence had a certain descriptive value. It had been regularly employed by artists, journalists, and listeners to distinguish between different products of culture. This distinction was essential in the music...

‘The Sound of the Future Is Here Today’: The Market for Post-rock within the Traditional Small Music Festival Landscape

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...The post-rock genre is noted for the way in which it circumvents conventional verse-chorus song structures, embraces complexity and pursues forms of music experimentation and otherness almost as a prerequisite, thus creating what can...

Current Music and Media Use of Young People in Austria: The Musical Practice of the Future?

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...This paper is an updated and improved version of Huber 2016. New conditions It is hard to see where the future of music listening lies. A hallmark of reliable research is its tendency to remain very reserved in its predictions...

The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain ‘Revolution’

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...When exploring the future of music, it is crucial to take into consideration the emerging forms of technology, infrastructures and innovations that are expected to reconfigure music content and practices in the next decade...