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Intermixtuality: Case Studies in Online Music (Re)production

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

3

... mono or stereo master recording, a mix stem is a sub-group, compiled of individual instrumental or vocal recordings derived from the original multi track recordings” (Bennett 2016). Online music (re)production and reception is facilitated...

The Production of Music and Sound: A Multidisciplinary Critique

Eliot Bates

Eliot Bates is Assistant Professor of Ethnomusicology at the City University of New York Graduate Center. He is the author of Music in Turkey: Experiencing Music, Expressing Culture (2011) and Digital Tradition: Arrangement and Labor in Istanbul’s Recording Studio Culture (2016). Author affiliation details are correct at time of print publication.

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Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

4

... and their use that remain or are foregrounded in popular recordings. Works by Samantha Bennett (2015a,b) analyze recordings using a “tech-processual” analytical method. This includes a focus on contextual issues, such as the intentions...

Siouxsie and the Banshees' Peepshow

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Bloomsbury Academic, 2018

33 1/3 Books

4

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... was as if we were doing the whole thing on the set of The Wicker Man'. Samantha Bennett looks at how Siouxsie and the Banshees' Peepshow is better understood in the context of film and film music (as opposed to popular music studies or,...

Technological Hybridity: Conflations of Analogue, Digital, the Cutting Edge and the Vintage in the 1990s

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

1

... Lang, 2006), p. 102 . This early 1990s ‘tipping point’ Bennett, ‘Endless Analogue’. signified a change in the accessibility, utilization and application of technologies. By 1995, the influx...

Constructing Records: Sound Recording and Production Technologies at the Turn of the 1980s

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

2

... (1977), where it is the most audible delay on ‘Sub Mission’, Samantha Bennett , ‘Never Mind the Bollocks … A Tech-Processual...

Sound Recordists in Flux: The Diversification of the Recording and Production Role

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

2

... As outlined in my 2012 article ‘Revisiting the Double Production Industry’, Samantha Bennett, ‘Revisiting the “Double Production” Industry: Advertising, Consumption and “Technoporn” Surrounding the Music Technology Press’, in Music, Law...

Sound Minds: Mapping Recordists’ Attitudes

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

2

... and Bennett, Bennett, ‘Revolution Sacrilege!’ but the dichotomy manifests in wider philosophical discourses of technological determinism and pessimism, such as Steven Jones’ Against Technology,...

Maverick Methods: Tech-Processual Unorthodoxies in Contemporary Record Production

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

0

...In 1982, British post-punk band Siouxsie and the Banshees released their fifth studio album A Kiss in the Dreamhouse to critical acclaim. In their authorized biography, singer Siouxsie Sioux described recordist Mike Hedges as ‘like...

The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production

Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

2

... of what Samantha Bennett and Eliot Bates term my “auto-ethnographic” approach, my own reflections as a fellow music practitioner have been included, allowing for the addition of “well founded insights” (Mostyn 1985: 118) or emic “cultural...

Conclusion

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

Search for publications

Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

2

... Shores’. Further discussion on Orbit and mixing can be found in Samantha Bennett , ‘The Listener as Remixer: Mix Stems in Online Fan Community and Competition...