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Moby, Minstrelsy and Melville

Richard Osborne

Richard Osborne is Senior Lecturer in Popular Music at Middlesex University, UK. Prior to becoming a lecturer he worked in record shops, held various posts at PRS for Music, and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012). Author affiliation details are correct at time of print publication.

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Mute Records : Artists, Business, History

Bloomsbury Academic, 2019

Scholarly Books

3

... of capitalism, as Richard Middleton explains: Romantic primitivism is embedded in the development of capitalism itself: ideologically, in capitalism’s need for an Other, to refresh its ‘spirit’ in non-...

Six Types of Silence

Richard Osborne

Richard Osborne is Senior Lecturer in Popular Music at Middlesex University, UK. Prior to becoming a lecturer he worked in record shops, held various posts at PRS for Music, and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012). Author affiliation details are correct at time of print publication.

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Critical Approaches to the Production of Music and Sound

Bloomsbury Academic, 2018

Scholarly Books

3

... Music became louder, more percussive, and electrified; rhythmic sounds were required for noisy meeting places (Osborne 2012b: 119). This prompted further campaigns against recordings. Cage itemized a news report from the New York Post,...

Introduction: Mute Records

Richard Osborne

Richard Osborne is Senior Lecturer in Popular Music at Middlesex University, UK. Prior to becoming a lecturer he worked in record shops, held various posts at PRS for Music, and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012). Author affiliation details are correct at time of print publication.

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and

Zuleika Beaven

Zuleika Beaven is Senior Lecturer in Music Business and Arts Management at Middlesex University, UK. She is Programme Leader for the MA Arts Management, and teaches on the undergraduate popular music and music business degrees. Her research focuses on musician work and identity in the commercial space. Author affiliation details are correct at time of print publication.

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Mute Records : Artists, Business, History

Bloomsbury Academic, 2019

Scholarly Books

4

... of Mute’s major successes. Richard Osborne’s chapter explores Moby’s sampling of African American singers on this record. He situates this practice within traditions of minstrelsy, whereby white performers appropriate black cultural traditions...