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Ethnography, Popular Music and Religion

The Bloomsbury Handbook of Religion and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

4

... grown, so have the ways in which ethnographic research methods have been applied across an array of often interrelated themes, including music-making practices (Bennett 1980; Cohen 1991), music scenes (Bennett and Peterson 2004), venues...

Big songs and generational soundtracks

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... it comes to issues of appropriation and ownership (see, for example, DeNora, 2000; Bennett and Rogers, 2016). There are several key reasons for this. First, it was during the early 1950s that the industrial production and mass mediation...

Progressives in the world of pop

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... in 1972 and more prominently in 1973, portraying the androgynous alien figure Ziggy Stardust (the first of several fictitious aliases that Bowie was to assume in the ensuing years, see Bennett, 2017) was testament to a moment in British...

Frankfurt am Main

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume VII : Locations: Europe

The Continuum International, 2016

Encyclopedia Articles

4

... Andy Bennett . 1998. ‘The Frankfurt “Rockmobil”: A New Insight into the Significance of Music-Making for Young People.’ Youth and Policy 60: 16–29....

Politics, Pastiche, Parody and Polemics: The DIY Educational Inspiration of The Clash

The Clash Takes on the World : Transnational Perspectives on The Only Band that Matters

Bloomsbury Academic, 2017

Scholarly Books

3

... 212–231, Oxford: Blackwell. AZ Lyrics – Clash Song Lyrics, http://www.azlyrics.com/c/clash.html Accessed 19/10/2015 Andy Bennett (2006), ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans’,...

Introduction

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... although Ferry (vocals and keyboards), Phil Manzanera (guitar) and Andy Mackay (saxophone, oboe and keyboards) remained in the band throughout its career. During the early 1970s Roxy Music produced what has since become their most critically...

New sounds for a new decade

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... festival, see Bennett, 2004) and the Rolling Stones, whose respective songs ‘Won’t Get Fooled Again’ and ‘Brown Sugar’ were both top 10 hits in the UK during 1971 and became rock anthems of the new decade. Of these two songs, the former track...

Progressive pop in context

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... remembering clustered around particular representations, including those produced by the media and cultural industries (see also Bennett and Rogers, 2016). Cultural memory can also be, and indeed typically is, a nationally or locally inscribed...

The end of an era

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... later added by Steve Jones, the band’s guitarist.On the episode of British television programme Classic Albums (see Bennett and Baker, 2010) dedicated to Never Mind the Bollocks, this aspect of the album’s recording is dealt...

Small ‘p’ politics

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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British Progressive Pop 1970–1980

Bloomsbury Academic, 2020

Scholarly Books

1

... years earlier, it would have seemed less out of place, the late 1960s having been something of a watershed period for songs with a more overtly articulated political message (Bennett, 2001; Eyerman and Jamison, 1998). In the context...