Loading

Results

  • Social Phenomena Close
Sort By:  1-10 of 557 (56 pages)
Results per page:
         

Difficult Relations: Music, Politics, and Authenticity

Lyndon C. S. Way

Lyndon C. S. Way is Lecturer in the Department of Media and Communication, Faculty of Arts and Humanities, at Liverpool Hope University, UK. Author affiliation details are correct at time of print publication.

Search for publications

Popular Music and Multimodal Critical Discourse Studies : Ideology, Control, and Resistance in Turkey Since 2002

Bloomsbury Academic, 2018

Scholarly Books

...Political ideas in an array of genres of music are not new. Europe of the 1920s saw music along with art and architecture “used as central parts of communicating fascist ideology” (Machin and Richardson 2012: 331). Popular music’s relations...

Emotion, Meaning and Popular Music

The Bloomsbury Handbook of Religion and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...In recent years there has been an appreciation of the significance of music’s relationship to emotion. Conceptualized as a device for the constitution of emotive action, it can be thought of as a ‘prosthetic technology’. That is to say...

Ethnicity and Race

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The Greek term ‘ethnos’ was used by classical authors to describe groups of threatening outsiders (both human and nonhuman). More currently, the expressions ‘ethnic’ and ‘ethnic group’ are widely used to refer to distinct groups united...

Heritage

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...‘Heritage’ can be defined as something inherited, passed on or transferred from the past. The notion of heritage is distinct from that of history because it places more emphasis on a sense of ownership of the past than on simply knowledge...

Industrialization

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

Search for publications

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...‘Industrialization’ describes the process of economic transformation whereby a subsistence or craft labor process or entire economy is replaced by one dominated by mechanization, the division of labor, heightened productivity and mass...

Morality

John Shepherd

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

Search for publications
and

John Street

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...Popular music’s relationship to morality is as complex as the term ‘morality’ itself. In seeking to distinguish ‘good’ from ‘bad,’ ‘morality’ describes the approved codes of behavior that order human relations in any given society...

Myth

John Shepherd

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

Search for publications
and

David Buckley

David Buckley

Search for publications

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...‘Myth’ is one of the most complex terms in the history of ideas, although it was coined as recently as the nineteenth century (see Williams 1983, 210-12). In common parlance, a myth is a popularly held belief that is untrue. In relation...

Nostalgia

Paul Oliver

Paul Oliver is a Fellow of Oxford Brookes University. Author affiliation details are correct at time of print publication.

Search for publications

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...Derived from the Greek nostis, or ‘return,’ and algos, or ‘pain,’ nostalgia has been identified since the late seventeenth century as nostomania, philopatridaglia or, more simply, as homesickness – a form of melancholy associated...
...The Latin verb advertere means ‘to turn toward’. From the eighteenth century, the British verb advertise was used with the meaning ‘to call attention to something’, for example goods for sale, rewards, and so on (Oxford English Dictionary)....

Hybridity and Globalization (Intercultural Exchange, Acculturation)

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...Etymology and History A powerful and yet highly problematic metaphor for cultural identity, the term ‘hybridity’ has been at the center of one of the most vigorous critical debates in recent years, emerging from and, in turn, affecting...