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Sigur Rós

Artist Pages

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...Sigur Rós is an Icelandic post-rock band, famous for its use of vocalizations and Birgisson’s use of a cello bow on his guitar. Throughout the band’s career, its music has been used in a variety of media, including advertising and film. Jón...

Filmic resonance and dispersed authorship in Sigur Rós’s transmedial Valtari Mystery Film Experiment

Gareth Schott

Gareth Schott

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Karen Barbour

Karen Barbour

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Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...The alternative guitar genre of post-rock is often appraised as a sonic mode of cartography, for it fashions a sense of space via its vast extended song structures and the tone, and colour and intensity of its sonic layering, producing...

‘More than pets of multiculturalism’: Diasporic hybridity in Icelandic popular music – the case of Retro Stefson

Gestur Guðmundsson

Gestur Guðmundsson

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Arnar Eggert Thoroddsen

Arnar Eggert Thoroddsen

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Transglobal Sounds : Music, Youth and Migration

Bloomsbury Academic, 2016

Scholarly Books

...It’s only my second day at Airwaves and already I have some solid advice. Icelanders: do not attempt to replicate the music of the African diaspora, especially reggae and hip-hop. You will fail. Miserably and laughably. Be yourselves...

Sigur Rós’s ( )

Ethan Hayden

Ethan Hayden is a composer and performer, currently pursuing a Ph.D. in music at the University at Buffalo, US. Author affiliation details are correct at time of print publication.

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Bloomsbury Academic, 2014

33 1/3 Books

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...Words like “inspiring,” “expansive,” and “moving” are regularly used to describe Sigur Rós's ( ), and yet the only words heard on the record itself are a handful of meaningless nonsense syllables. The album has no title-or rather, its title...