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Formats, Genres, and Abstraction: On Musico-Generic Assemblages in the Context of Format Radio Production

Mads Krogh

Mads Krogh is Associate Professor at the School of Communication and Culture, section for Musicology, Aarhus University, Denmark. Author affiliation details are correct at time of print publication.

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Music Radio : Building Communities, Mediating Genres

Bloomsbury Academic, 2019

Scholarly Books

...Musical genres and radio formats are intimately connected in the history of music radio. Often viewed as hallmarks of rationalization, formats have appropriated genres in the alignment...

Whirled pieces: Bong Joon Ho’s Snowpiercer and the components of global transmedia production

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...In July 2012, Disney’s Marvel announced its production slate for Phase 2 of the Marvel Cinematic Universe. It would consist of six movies and run through 2015. Phase 3 would include ten movies and run through 2019. In 2013 Disney promised...

Justin Timberlake’s “Man of the Woods”

Stan Hawkins

Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Professor in Popular Music at the University of Agder, Norway. He is author of numerous books, including Settling the Pop Score (2002), The British Pop Dandy (2009), Prince: The Making of a Pop Music Phenomenon (co-author Sarah Niblock, 2011), and Queerness in Pop (2016). Author affiliation details are correct at time of print publication.

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Tore Størvold

Tore Størvold

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The Bloomsbury Handbook of Popular Music Video Analysis

Bloomsbury Academic, 2019

Scholarly Books

...The trailer for Justin Timberlake’s concept album Man of the Woods (2018) prepared his fans for something quite different from his previous releases. At 36, finally a “man’s man,” he could pride himself on fatherhood, a beautiful wife...

Jay Versace’s Instagram empire: Queer black youth, social media and new audiovisual possibilities

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...I don’t use Instagram except to watch Jay Versace. One night my friend sent me a video of him dancing, and I was hooked. Who was this guy? Was he a genius of dance, comedy, the entire genre of extremely miniature cinema? Captioned ‘Mood...

When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...For two very different but equally important conversations, I would like to thank Lawrence English and Aidan Byrne who know far more than I about granular synthesis and quantum physics, respectively.May 21, 2017. A digital streaming...

Engineering a Place for Women: Gendered Experiences of the Music Technology Classroom

Towards Gender Equality in the Music Industry : Education, Practice and Strategies for Change

Bloomsbury Academic, 2019

Scholarly Books

...Introduction In an interview with Rolling Stone, singer-songwriter-producer Grimes (Claire Boucher) stated: ‘I don’t think there are few female producers because women aren’t interested. It’s difficult for women to get in. It’s a pretty...

Diamonds, Wagner, the Gesamtkunstwerk and Lars von Trier’s depression films

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...A twelve-carat white double diamond, cut out of two raw stones, sits on a black pedestal in a large white space at the M HKA Museum (Museum of Modern Art), in Antwerp. The visitor, wearing a virtual reality helmet, is invited to enter its...

Multimodal and transmedia subjectivity in animated music video: Jess Cope and Steven Wilson’s ‘Routine’ from Hand. Cannot. Erase. (2015)

Transmedia Directors : Artistry, Industry and New Audiovisual Aesthetics

Bloomsbury Academic, 2020

Scholarly Books

...Videographer Jess Cope’s animated music videos are celebrated for their carefully crafted storyworlds, powerful narratives, expressive subjectivities and finely wrought environments.Cope’s videos are featured at the Owl House Studios...

Curatorial Practice in Popular Music Museums: An Introduction

Sarah Baker

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Sarah Baker is Associate Professor in Cultural Sociology at Griffith University in Queensland, Australia. She is the Reviews Editor of Journal of World Popular Music, having previously been an editor of the Journal of Sociology (2009-12). She is the author and editor of numerous books, including Community Custodians of Popular Music’s Past: A DIY Approach to Heritage (2017) and Redefining Mainstream Popular Music (2013). Author affiliation details are correct at time of print publication.

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Lauren Istvandity

Lauren Istvandity is a Postdoctoral Research Fellow at Queensland Conservatorium Griffith University in Queensland, Australia. She has published across popular music, heritage, and cultural studies platforms, and has two books forthcoming: The Lifetime Soundtrack: Music and Autobiographical Memory, and the co-edited collection Routledge Handbook to Popular Music History and Heritage. Author affiliation details are correct at time of print publication.

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Raphaël Nowak

Raphaël Nowak is a Postdoctoral Research Fellow at the Griffith Centre for Social and Cultural Research in Queensland, Australia. He is a cultural sociologist and has expertise on music consumption, digital technologies, popular music heritage practices, and systems of classifications in culture. He is the author of Consuming Music in the Digital Age: Technologies, Roles, and Everyday Life (2015) and co-editor of Networked Music Cultures: Contemporary Approaches, Emerging Issues (2016).. Author affiliation details are correct at time of print publication.

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Curating Pop : Exhibiting Popular Music in the Museum

Bloomsbury Academic, 2019

Scholarly Books

...The first exhibition I ever curated, in 1984 I think it was, or 1985, was actually a popular music exhibition. It was called Beat … people almost couldn’t understand why on earth an Arts Centre would want to do it. Why would you want...

Curators as Taste Entrepreneurs in the Digital Music Industries

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

...The power of lists On 22 November 2017, online electronic music magazine and community platform Resident Advisor, established in 2001, published a feature article explaining why the team had decided to stop publishing...