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On-Line Distribution

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...On-line distribution of music comprises any way of publishing music in a digital format (for example, on CD), by means of telecommunication networks and computers (‘digital telematic environment’).While many radio stations introduced audio...

Napster

Bloomsbury Encyclopedia of Popular Music of the World Volume II : Performance and Production

Continuum, 2003

Encyclopedia Articles

...Introduction Napster is the name of an Internet music company and of a real-time system by which Internet users can locate the MP3 files (a standard technology and format for compressing a sound sequence into a very...

E-commerce

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...Electronic commerce, or ‘E-commerce,’ is defined by the US Department of Commerce as ‘business transactions on the [World Wide] Web.’ This definition is comparatively versatile (for example, it can be taken to encompass business-to-business...

Electronic Information

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The development of the Internet has transformed opportunities for the storage and distribution of information relating to popular music and has greatly increased its quantity and accessibility. It has also introduced unique possibilities...

Copies and the aesthetics of circulation

Margie Borschke

Margie Borschke is Senior Lecturer in Journalism and Media at Macquarie University in Sydney, Australia. She studies contemporary and historical media use and how it contributes to the production of knowledge and culture. Author affiliation details are correct at time of print publication.

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This is Not a Remix : Piracy, Authenticity and Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...As I write this chapter, Kim Dotcom’s extradition trial is streaming live on the Internet. The contrast between the drama of his 2012 arrest, and the tedium of these important legal hearings is notable. Dotcom fought for this historic first...

Evolution, not revolution . . .

Jim Rogers

Jim Rogers is a Research Fellow and Associate Lecturer at the School of Communications, Dublin City University. His research focuses on the evolving form and nature of the media and cultural industries in the digital era. Author affiliation details are correct at time of print publication.

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The Death and Life of the Music Industry in the Digital Age

Bloomsbury Academic, 2013

Scholarly Books

...This book is about the popular music industry. However, as we noted in the opening pages, examining this industry in the early twenty-first century can also tell us something about how we understand our relationship with technology...

Digital deliria and transformative hype

Jim Rogers

Jim Rogers is a Research Fellow and Associate Lecturer at the School of Communications, Dublin City University. His research focuses on the evolving form and nature of the media and cultural industries in the digital era. Author affiliation details are correct at time of print publication.

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The Death and Life of the Music Industry in the Digital Age

Bloomsbury Academic, 2013

Scholarly Books

...In some ways we are the canary down the mine, the first battle ground, but behind us goes anyone who creates anything that can be turned into data . . .Since the 1960s Simon Napier-Bell has worked as a songwriter, record producer...

Where Do We Go From Here? The Future of Composers in the Post-digital Era

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

...The aim of this chapter is to discuss some of the effects that digitalization has on the daily life of composers. Digitalization has changed the music world in ways we never could have imagined. The CD first came to the market in 1982...

Technological Hybridity: Conflations of Analogue, Digital, the Cutting Edge and the Vintage in the 1990s

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Modern Records, Maverick Methods : Technology and Process in Popular Music Record Production 1978–2000

Bloomsbury Academic, 2019

Scholarly Books

...So far, the trajectory of sound recording and production technologies through the 1980s and its influence on commercial popular music of the era have been traced. The turn of the 1990s saw yet another marked technological shift in sound...

New rules for the new music economy? [Part two]

Jim Rogers

Jim Rogers is a Research Fellow and Associate Lecturer at the School of Communications, Dublin City University. His research focuses on the evolving form and nature of the media and cultural industries in the digital era. Author affiliation details are correct at time of print publication.

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The Death and Life of the Music Industry in the Digital Age

Bloomsbury Academic, 2013

Scholarly Books

...In Chapter 5, arguments were advanced regarding the potential usefulness of blogs, online audio- and video-streaming services, social networking sites and other online music discussion and review platforms in assisting an emerging artist...