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Berne Convention

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The Berne Convention for the Protection of Literary and Artistic Works dates back to 1886. As the fundamental international agreement on copyright, it guarantees to composers, songwriters and other types of ‘author’ control over the use...

Home Taping

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...‘Home taping’ refers to the practise of using a tape recorder to copy copyrighted works or recordings from broadcasts or sound or video recordings for domestic, noncommercial use. The legal term ‘private copying’ emphasizes the difference...

Royalty

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...A royalty is a payment made to composers, recording artists and studio producers on the basis of the unit sales of works to which they contribute.The royalty rate is generally expressed as a percentage of either the wholesale or the retail...

Rome Convention

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations was the first international agreement to set minimum standards of protection for works created by owners of neighboring or related...

Copyright Organizations

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...While copyright owners are granted exclusive rights to control the uses of their works, in most cases it is impractical for a single composer or recording artist to monitor each use by broadcasters, background music companies, concert...

Counterfeit

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...A counterfeit soundcarrier is one made illegally to sound and look exactly like the legitimate product. There have been counterfeits manufactured of all recorded music formats – vinyl albums, music cassettes and compact discs (CDs). Because...

Piracy

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The terms ‘piracy’ and ‘pirate’ have been used in connection with copyright infringement since the eighteenth century. Within the music industry, there is a long history of piracy of printed music and of the unauthorized performance...

Public Domain

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...A composition, sound recording or broadcast enters the public domain once its period of copyright is completed. At this point, the work is available for use without charge. The public domain system has important commercial...

Mechanical Right

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The mechanical right is part of the copyright granted to composers and songwriters. It refers to the incorporation of a musical work into a ‘mechanical’ device such as a soundcarrier, film, or radio or television program. When copies...

Moral Right

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

Search for publications

Bloomsbury Encyclopedia of Popular Music of the World Volume I : Media, Industry and Society

Continuum, 2003

Encyclopedia Articles

...The Berne Convention and other copyright legislation grant moral rights to a composer or songwriter. These include the right to decide whether or not to publish a work, the right to be credited as the author of a work and the right...