Results

Simon A. Morrison is Programme Leader for Music Journalism at the University of Chester, UK. He is author of the book Discombobulated (2010) and has reported on the music scene everywhere from Beijing to Brazil; Moscow to Marrakech. He edited Ministry of Sound’s Ibiza magazine and has also produced and presented TV and radio. A screenplay he penned, based on a story he wrote for The Guardian, is about to be produced by the BBC, for broadcast in 2019. Author affiliation details are correct at time of print publication.

Bruce Eaton is a writer and jazz concert producer who lives near Buffalo, NY. He is the author of two successful business books. He played bass and guitar with Alex Chilton on dates in Buffalo, Toronto and New York, and set up Chilton’s notoriously distastrous 1981 tour. Author affiliation details are correct at time of print publication.

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

David Sanjek

Geoffrey Himes has written about music on a weekly basis in the Washington Post since 1977. During that time he has also written about pop music for Rolling Stone, Paste, the New York Times, Jazz Times, the Nashville Scene, the Oxford American and other outlets. He won ASCAP/Deems Taylor Awards for Music Feature Writing in 2002 and 2005. His stage musical, “A Baltimore Christmas Carol,” was produced in 2005, and his songs have been recorded by Edge City, Billy Kemp and the Kinsey Report. Author affiliation details are correct at time of print publication.

Chad Wriglesworth

Bethany Klein is Professor of Media and Communication at the University of Leeds, UK. She is the author of As Heard on TV: Popular Music in Advertising (2009) and co-author of Understanding Copyright: Intellectual Property in the Digital Age (2015). Author affiliation details are correct at time of print publication.

Nicola Spelman is Senior Lecturer in Popular Music in the School of Arts and Media at the University of Salford, UK Author affiliation details are correct at time of print publication.

Robert Loss is an assistant professor in Writing, Literature, and Philosophy at Columbus College of Art and Design, USA. Author affiliation details are correct at time of print publication.

Roger Deitz

David Horn was a founding editor of the journal Popular Music and a founding member of IASPM (The International Association for the Study of Popular Music). He was Director of the Institute of Popular Music at the University of Liverpool from 1988 until his retirement in 2002. Together with the blues scholar Paul Oliver he first proposed the idea of EPMOW in the 1980s, and has worked on the project since that time. Author affiliation details are correct at time of print publication.