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New Careers in New Towns: Rock Musicians Become Film Composers

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Magical Musical Tour : Rock and Pop in Film Soundtracks

Bloomsbury Academic, 2015

Scholarly Books

...Film scores have been envisaged by the overwhelming majority of mainstream narrative films, particularly in the United States and Britain, as essentially orchestral (or chamber ensemble) in nature. Traditionally, this has favoured...

French Touch

Olivier Julien

Olivier Julien is a lecturer in the history and musicology of popular music at Paris-Sorbonne University, France. Author affiliation details are correct at time of print publication.

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Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...The association of the term ‘French Touch’ with a house-oriented type of club music originating from France goes back to the early 1990s and to the early days of the short-lived Music-Dance Division of the FNAC company (1991–4), whose...

Chillout

Bloomsbury Encyclopedia of Popular Music of the World Volume XI : Genres: Europe

Bloomsbury Academic, 2017

Encyclopedia Articles

...The chillout genre emerged in the UK in the late 1980s in the back rooms of electronic dance music (EDM) clubs and raves that provided a relaxed and relatively quiet space for clubbers to socialize, away from the high volume and energy...