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‘We Had an Outsider’s Perspective’: Sarah’s Foreign Visitors

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Popkiss : The Life and Afterlife of Sarah Records

Bloomsbury Academic, 2015

Scholarly Books

...Ric Menck affectionately recalls: ‘Alan McGee once said to me, “You were just a British indie kid, but you lived in America.” I really was into that shit.’Menck was indeed at odds with his geography. Living in Champaign, Illinois – a small...

Rethinking Independence: What Does ‘Independent Record Label’ Mean Today?

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

...Until the 1990s, the term independence had a certain descriptive value. It had been regularly employed by artists, journalists, and listeners to distinguish between different products of culture. This distinction was essential in the music...

The Problem of Knowing Too Much: Meta-Rock and the Anxiety of Influence

Robert Loss

Robert Loss is an assistant professor in Writing, Literature, and Philosophy at Columbus College of Art and Design, USA. Author affiliation details are correct at time of print publication.

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Nothing Has Been Done Before : Seeking the New in 21st-Century American Popular Music

Bloomsbury Academic, 2017

Scholarly Books

...A Reviled Species Emerges—The Meadowlands—Meta-Rock Q: How many indie bands does it take to screw in a light bulb? A: Never mind, you’ve probably never heard of them. Sometimes I let myself think that the hipster was conjured by the Wrens...

‘Come to My World’: The Sea Urchins and the Beginning of Sarah

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Popkiss : The Life and Afterlife of Sarah Records

Bloomsbury Academic, 2015

Scholarly Books

...The Sea Urchins’ sartorial commitment was peerless. Everyone whose eyes fell upon them knew this to be true. As if a random assortment of zealous shoppers had unwittingly stepped through a space–time portal, transporting them from 1966...

The Afterlife of Sarah

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

Search for publications

Popkiss : The Life and Afterlife of Sarah Records

Bloomsbury Academic, 2015

Scholarly Books

...So all we’ll say is this: thank you, to anybody who’s ever written or phoned or whatever, thank you because … it really is all that – all the, um, heck – the, um, well – YOU – that makes it all worthwhile. And even if it’s true that most...

Safe Harbour: The Wake and the Hit Parade

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Popkiss : The Life and Afterlife of Sarah Records

Bloomsbury Academic, 2015

Scholarly Books

...In June 1989, Keris Howard began quietly worrying. Brighter had recorded their debut EP, Around the World in Eighty Days, months earlier, and it was his understanding that everyone was pleased with the results. Yet communication from Sarah...

Imbyino

Bloomsbury Encyclopedia of Popular Music of the World Volume XII : Genres: Sub-Saharan Africa

Bloomsbury Academic, 2019

Encyclopedia Articles

...Imbyino (‘eem-BYEE-no’) is a tradition of music and dance particular to Rwanda (a similar tradition, intambo, is performed in Burundi). The term is derived from the verb kubyina, which means ‘to perform a song accompanied by dance’ or, more...
...The South African singer Solomon Linda’s song “Mbube” became so popular that an entire genre of a cappella music was named in its honor. Born in 1909 on a labor reserve near Ladysmith, Linda grew up around traditional Zulu music...

‘More than pets of multiculturalism’: Diasporic hybridity in Icelandic popular music – the case of Retro Stefson

Transglobal Sounds : Music, Youth and Migration

Bloomsbury Academic, 2016

Scholarly Books

...It’s only my second day at Airwaves and already I have some solid advice. Icelanders: do not attempt to replicate the music of the African diaspora, especially reggae and hip-hop. You will fail. Miserably and laughably. Be yourselves...

‘The Sound of the Future Is Here Today’: The Market for Post-rock within the Traditional Small Music Festival Landscape

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

...The post-rock genre is noted for the way in which it circumvents conventional verse-chorus song structures, embraces complexity and pursues forms of music experimentation and otherness almost as a prerequisite, thus creating what can...