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Introduction: The Future of and Through Music

Ewa Mazierska

,

Ewa Mazierska is Professor of Film Studies at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

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Les Gillon

Les Gillon is a researcher, musician and teacher at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

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and

Tony Rigg

Tony Rigg is a music business practitioner with a background in senior management positions for market leading companies, a music producer with a chart pedigree and an educator. Author affiliation details are correct at time of print publication.

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Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

2

...Researchers in all disciplines are interested in the future of their art, but the ‘future of music’ plays a greater role in music studies than the ‘future of plastic art’ in art history, and the ‘future of film’ in film studies...

Electro Swing: Re-introducing the Sounds of the Past into the Music of the Future

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...As we are beginning to make headway into the twenty-first century, one of the most heavily used techniques in the production of popular music is the practice of sampling. This has become increasingly prevalent, particularly within...

Curators as Taste Entrepreneurs in the Digital Music Industries

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...The power of lists On 22 November 2017, online electronic music magazine and community platform Resident Advisor, established in 2001, published a feature article explaining why the team had decided to stop publishing...

The Adaptive Musician: The Case of Peter Hook and Graham Massey

Ewa Mazierska

Ewa Mazierska is Professor of Film Studies at the University of Central Lancashire, UK. Author affiliation details are correct at time of print publication.

Search for publications
and

Tony Rigg

Tony Rigg is a music business practitioner with a background in senior management positions for market leading companies, a music producer with a chart pedigree and an educator. Author affiliation details are correct at time of print publication.

Search for publications

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

2

... Les Gillon and Ewa Mazierska (2018), ‘The Missing Star of MC Tunes’, in Ewa Mazierska (ed.), Sounds...

‘They Sold the Festival Out!’ Axionormativity as the Future of Festivals

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

1

... Paris-Toulouse : Les Editions de l’Attribut. Mikhail Bakhtin (1968), Rabelais and His World . Bloomington : Indiana University...

Where Do We Go From Here? The Future of Composers in the Post-digital Era

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...The aim of this chapter is to discuss some of the effects that digitalization has on the daily life of composers. Digitalization has changed the music world in ways we never could have imagined. The CD first came to the market in 1982...

Rethinking Independence: What Does ‘Independent Record Label’ Mean Today?

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...Until the 1990s, the term independence had a certain descriptive value. It had been regularly employed by artists, journalists, and listeners to distinguish between different products of culture. This distinction was essential in the music...

‘The Sound of the Future Is Here Today’: The Market for Post-rock within the Traditional Small Music Festival Landscape

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

0

...The post-rock genre is noted for the way in which it circumvents conventional verse-chorus song structures, embraces complexity and pursues forms of music experimentation and otherness almost as a prerequisite, thus creating what can...

Current Music and Media Use of Young People in Austria: The Musical Practice of the Future?

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

1

... va la musique? Numérimorphose et nouvelles expériences d’écoute , ed. Philippe Le Guern , 93–108. Paris : Presses des Mines....

The Future of Digital Music Infrastructures: Expectations and Promises of the Blockchain ‘Revolution’

Popular Music in the Post-Digital Age : Politics, Economy, Culture and Technology

Bloomsbury Academic, 2019

Scholarly Books

1

... and E. Chiapello (1999), Le nouvel esprit du capitalisme . Paris : Gallimard. (Eng. trans. The New Spirit of Capitalism. London: Verso, 2005.)...