Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Recent publications include The Occult World (2014, ed.,), The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2013), Dub in Babylon (2010), and Holy Terror: Understanding Religion and Violence in Popular Culture (2010, ed.,). He is co-editor of Bloomsbury Studies in Religion and Popular Music. Author affiliation details are correct at time of print publication.
Mortality and Music: Popular Music and the Awareness of Death
Bloomsbury Academic, 2015
... of Liminality’. In S. Moore & B. Myerhoff (eds), Secular Ritual (Amsterdam: Van Gorcum, 1977), 36–52.
Liminality is typical of subcultures (to which we will return below). It identifies a temporary period of ‘acceptable disorder’ when conventional...
Christopher Moore is Lecturer in Media and Communication at Deakin University, Australia. His main areas of interest are Games Studies, Digital Humanities and Online Persona, and he recently co-edited the collectionZombies in the Academy: Living Death in Higher Education (2013). Author affiliation details are correct at time of print publication.
... with Rihanna, Bruno Mars, MGMT, Katy Perry, Genesis, Coldplay, Grace Jones, Placebo, Adele or Santana,Listen to these examples from the playlist available at https://soundcloud.com/christopher-moore-28/sets/bowie-mashups. individually...
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