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Works by The Who

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#NOWTHATSRELIGIONANDHIPHOP: Mapping the terrain of religion and hip hop in cyberspace

Elonda Clay

Elonda Clay

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(Re)building the cypher: Fulfilling the promise of hip hop for liberation

Paul J. Kuttner

Paul J. Kuttner

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and

Mariama White-Hammond

Mariama White-Hammond

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(Un)conventional: Beatles fan conventions

Richard Mills

Richard Mills is a Senior Lecturer in Literature and Popular Culture at St. Mary’s University, UK. He has been programme director for the Film and Popular Culture, Cultural Studies and Irish Studies degrees. He is co-editor of Mad Dogs and Englishness (2017). Author affiliation details are correct at time of print publication.

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1899 and All That

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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1965

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1966

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1967

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1968

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1969

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1977, Year Zero(ish)

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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2004 (Bowie vs Mashup)

Christopher Moore

Christopher Moore is Lecturer in Media and Communication at Deakin University, Australia. His main areas of interest are Games Studies, Digital Humanities and Online Persona, and he recently co-edited the collectionZombies in the Academy: Living Death in Higher Education (2013). Author affiliation details are correct at time of print publication.

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2nd Chorus: Blues: Jack Kerouac

Larry Beckett

Larry Beckett

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A Brief History of Entertainment in St. Pauli

Julia Sneeringer

Julia Sneeringer is Associate Professor of History at Queens College and the Graduate Center, City University of New York, USA. She is the author of Winning Women's Votes: Propaganda and Politics in Weimar Germany (2002). Author affiliation details are correct at time of print publication.

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A Cellarful of Noise

Kenneth Womack

Kenneth Womack is Professor of English and Dean of the Wayne D. McMurray School of Humanities & Social Sciences at Monmouth University, USA. Author affiliation details are correct at time of print publication.

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A Concert of Europe

Dean Vuletic

Dean Vuletic is a historian of contemporary Europe who, as a Marie Sklodowska-Curie Fellow, has led the project ‘Eurovision: A History of Europe through Popular Music’ at the University of Vienna, Austria. Author affiliation details are correct at time of print publication.

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A Contest for Communism

Dean Vuletic

Dean Vuletic is a historian of contemporary Europe who, as a Marie Sklodowska-Curie Fellow, has led the project ‘Eurovision: A History of Europe through Popular Music’ at the University of Vienna, Austria. Author affiliation details are correct at time of print publication.

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A conversation with Emil Nava

Carol Vernallis

Carol Vernallis is Affiliated Researcher in Music at Stanford University, USA, and Visiting Professor of Music at University of California, Berkeley, USA. She is the author of Experiencing Music Video (2004) and Unruly Media (2013) and co-editor of The Oxford Handbook of New Audiovisual Aesthetics (2013) and The Oxford Handbook of Sound and Image in Digital Media (2013). Author affiliation details are correct at time of print publication.

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A Cork on the Ocean

Philip Lambert

Philip Lambert is Professor of Music at Baruch College and the Graduate Center of the City University of New York. He is a specialist on music of the twentieth century and has published widely on this subject in the fields of music theory and musicology. His previous book is The Music of Charles Ives. Author affiliation details are correct at time of print publication.

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A Hard Day’s Night

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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A PARTICULAR PAC: Ontological ruptures and the posthumous presence of Tupac Shakur

James Braxton Peterson

James Braxton Peterson is the Director of Africana Studies and Associate Professor of English at Lehigh University. Author affiliation details are correct at time of print publication.

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