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Works by The Smiths

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1977, Year Zero(ish)

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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An Economy of Ambition: Sarah’s Short-term Visitors

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Analysing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Bert Jansch’s L.A. Turnaround (1974)

John Perry

John Perry played guitar in the band The Only Ones. He is also the author of the acclaimed book about The Who, Meaty Beaty Big and Bouncy. Author affiliation details are correct at time of print publication.

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Celibacy, Abstinence and Rock ’n’ Roll

Gavin Hopps

Gavin Hopps is the Research Council’s UK Academic Fellow in the School of Divinity at St. Mary’s College, the University of St. Andrews, Scotland. Author affiliation details are correct at time of print publication.

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Discourse Analysis

Barbara Bradby

Barbara Bradby

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England

Derek B. Scott

Derek B. Scott

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Epilogue

Gavin Hopps

Gavin Hopps is the Research Council’s UK Academic Fellow in the School of Divinity at St. Mary’s College, the University of St. Andrews, Scotland. Author affiliation details are correct at time of print publication.

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Flag of convenience? The Union Jack as a contested symbol of Englishness in popular music or a convenient marketing device?

Johnny Hopkins

Johnny Hopkins

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Golden Years: 1980s and 1990s Hip Song Compilation Films

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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Hiatus: Music, memory and liminal authenticity

Robert Edgar

Robert Edgar is Associate Professor in the York Centre for Writing at York St. John University, UK. His publications include Screenwriting (2009), The Language of Film (2015), The Music Documentary: Acid Rock to Electropop (co-editor, 2013) and The Arena Concert (co-editor, 2015). Author affiliation details are correct at time of print publication.

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Home

Macon Holt

Macon Holt completed his PhD at the Centre for Cultural Studies, Goldsmith University of London, UK, in 2017. He is a contributing editor at the music magazine Passive/Aggressive and his writing has appeared in Atlas Magasin, Blacklisted Copenhagen, The Ark Review and Full Stop. He has taught at Lund University, The Royal Danish Academy of Art and the Leeds College of music. Author affiliation details are correct at time of print publication.

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Horo

Claire Levy

Claire Levy

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If You Don’t Care to Remember ‘The Sixties’, You Probably Weren’t There

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Introduction

Gavin Hopps

Gavin Hopps is the Research Council’s UK Academic Fellow in the School of Divinity at St. Mary’s College, the University of St. Andrews, Scotland. Author affiliation details are correct at time of print publication.

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Introduction

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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Introduction

Gina Arnold

,

Gina Arnold is Lecturer in Rhetoric and Media Studies at the University of San Francisco, USA. As a former rock critic for Rolling Stone, Spin and Entertainment Weekly, she was an early advocate of the genre now known as grunge. She is the author of Route 666: On the Road To Nirvana, (2003), Punk In the Present Tense, (1997) and Exile In Guyville, (Bloomsbury, 2014), as well as Rock Crowds And Power. She holds a Ph.D. from Stanford University in Modern Thought and Literature. Author affiliation details are correct at time of print publication.

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Daniel Cookney

Gina Arnold is Visiting Professor at the Evergreen State College in Washington, USA. Author affiliation details are correct at time of print publication.

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and

Michael Goddard

Michael N. Goddard is Senior Lecturer and Course Leader in Film, Television and Moving image at the University of Westminster, UK. Author affiliation details are correct at time of print publication.

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Introduction: Superfluous, Redundant, Enduring—Prince’s Emancipation (1996)

Will Stockton

Will Stockton is Associate Professor of English at Clemson University, and author of several books including Members of His Body: Shakespeare, Paul, and a Theology of Nonmonogamy (2017), and Playing Dirty: Sexuality and Waste in Early Modern Comedy (2011). Author affiliation details are correct at time of print publication.

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Irish Diaspora

John O’Flynn

John O’Flynn

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Liquidities for the Essex Man: The Monetarist Eroticism of British Yacht Pop

Benjamin Halligan

Benjamin Halligan is Director of Postgraduate Research for the College of Arts and Social Sciences, University of Salford, UK. Author affiliation details are correct at time of print publication.

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