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Works by The Pogues

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An Analysis of The Clash in Concert: 1977 to 1982

Peter Smith

Peter Smith

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Carol

Jeremy Dibble with Paolo Prato

Jeremy Dibble with Paolo Prato

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Hurdy-Gurdy

Ferenc Sebö

Ferenc Sebö

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and

Megan Jerome

Megan Jerome

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Irish Diaspora

John O’Flynn

John O’Flynn

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Republic of Ireland

John O’Flynn

John O’Flynn

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Spouting Slogans for the Sandinistas? The Clash and International Solidarity

Jeremy Tranmer

Jeremy Tranmer

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The Kerouac Tribute Recordings

Jim Sampas

Jim Sampas is a music and film producer whose work often focuses on major cultural figures such as Jack Kerouac, the Beatles, Bruce Springsteen, the Smiths, Bob Dylan and the Rolling Stones. In 2017, he was appointed Literary Executor of the Jack Kerouac Estate. Author affiliation details are correct at time of print publication.

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and

Simon Warner

Simon Warner is a lecturer, writer, broadcaster, and Visiting Research Fellow in Popular Music at the University of Leeds in the UK. He is the author of Text and Drugs and Rock’n’Roll: The Beats and Rock Culture (2013). Author affiliation details are correct at time of print publication.

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The Pogues

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...The Pogues were a London-based band that broke through commercially in the late 1980s and early 1990s. They initially played Irish folk music but invented and transitioned their sound to what is now recognized as Celtic punk and Celtic...

The Pogues' Rum, Sodomy & The Lash

Jeffrey Meloy

Jeffrey Meloy

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The poison in the human machine

Raphael Costambeys-Kempczynski

Raphael Costambeys-Kempczynski

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Ukraine

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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—Stiff Records (UK)

Dave Laing

Dave Laing is the author of several books on popular music and a former editor of Music Week. Former Research Fellow at the University of Westminster where he conducted research on the music industry. Author affiliation details are correct at time of print publication.

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