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Works by The Minutemen

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Bob Dylan’s Beat Visions (Sonic Poetry)

Michael Goldberg

Michael Goldberg

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If It Ain’t Cheap, It Ain’t Punk: Punk Record Labels and DIY as a (Anti-)Business Model

Kevin C. Dunn

Kevin Dunn is Associate Professor in the Department of Political Science at Hobart and William Smith Colleges in Geneva, NY. He is author of several books, including Imagining the Congo (2003), The Politics of Origin in Africa (2013) and Inside African Politics (2013). He is also a regular contributor to Razorcake and Maximumrocknroll magazines. Author affiliation details are correct at time of print publication.

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Longing For Home

Joe Bonomo

Joe Bonomo teaches in the English Department of Northern Illinois University. He is the author of Sweat: The Story of the Fleshtones, America’s Garage Band (Continuum 2007), and Installations (Penguin), a collection of prose poems. His personal essays and prose poems have appeared in numerous literary journals. Author affiliation details are correct at time of print publication.

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Punk Goes the World: Global Networks, Counter-Hegemony, and the Contradictions of Globalization

Kevin C. Dunn

Kevin Dunn is Associate Professor in the Department of Political Science at Hobart and William Smith Colleges in Geneva, NY. He is author of several books, including Imagining the Congo (2003), The Politics of Origin in Africa (2013) and Inside African Politics (2013). He is also a regular contributor to Razorcake and Maximumrocknroll magazines. Author affiliation details are correct at time of print publication.

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The Minutemen

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...Through the 1980s, the San Pedro-based punk outfit the Minutemen provided a much-needed infusion of political and aesthetic maturity into the developing punk scene dominated by SST Records. When they were both aged thirteen, Mike Watt...

The Minutemen's Double Nickels on the Dime

Michael Fournier

Michael Fournier

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Visions of a Youth Culture

Saul Austerlitz

Saul Austerlitz is a writer and cultural critic living in New York City. His work has been published in the Boston Globe (where he is a regular contributor), Slate, the San Francisco Chronicle, the Village Voice, and other publications. Author affiliation details are correct at time of print publication.

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‘The Film Should Be Played Loud’: Rockumentary Films

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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