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Works by The Magnetic Fields

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A Three-cornered Quartet

Peter Mills

Peter Mills is Senior Lecturer in Media & Popular Culture at Leeds Metropolitan University, UK. Hewas singer and lyricist for the band Innocents Abroad who made two albums, Quaker City and Eleven. He has taught music, literature and philosophy at universities in the UK , Hungary, Romania and Croatia, and has published work on, amongst others,Samuel Beckett,Olaf Stapledon,Hungarian folk music, Pink Floyd, national anthems and The KLF. Author affiliation details are correct at time of print publication.

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Boston, MA

Daniel Cavicchi

Daniel Cavicchi

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and

Gary Burns

Gary Burns

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Dispositives of Sound: Folk Music Collections, Radio, and the National Imagination, 1890s–1960s

Johannes Müske

Johannes Müske

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Dylan’s Songs of the North Country

David Pichaske

David Pichaske is Professor of English at Southwest Minnesota State University. He is the author of many books, several related to rural literature and themes, including Rooted: Six Midwest Writers of Place. He has published on a range of subjects from rock music and American culture to T.S. Eliot and Chaucer. A three-time Fulbright Lecturer to Central Europe and Outer Mongolia, Pichaske is the author of Poland in Transition: 1989-1991. As editor of Spoon River Poetry Press, Pichaske has published Leo Dangel, Bill Holm, Norbert Blei, Linda Hasselstrom, Bill Kloefkorn, and Dave Etter, among significant rural writers. He first published on Dylan in 1972. Author affiliation details are correct at time of print publication.

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Field Recording and the Production of Place

Tom Western

Tom Western

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From ‘Mach Schau’ to Mock Show

Jeffrey Roessner

Jeffrey Roessner

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Guitars

Steve Waksman

,

Steve Waksman

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Omar Corrado

Omar Corrado

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and

Sergio Sauvalle

Sergio Sauvalle

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Listening to the Lion

Peter Mills

Peter Mills is Senior Lecturer in Media & Popular Culture at Leeds Metropolitan University, UK. Hewas singer and lyricist for the band Innocents Abroad who made two albums, Quaker City and Eleven. He has taught music, literature and philosophy at universities in the UK , Hungary, Romania and Croatia, and has published work on, amongst others,Samuel Beckett,Olaf Stapledon,Hungarian folk music, Pink Floyd, national anthems and The KLF. Author affiliation details are correct at time of print publication.

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Maverick Methods: Tech-Processual Unorthodoxies in Contemporary Record Production

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Mediatization–Radiofication–Musicalization

Alf Björnberg

Alf Björnberg

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Post-Digital Music Video and Genre

Robert Strachan

Robert Strachan

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Recording Studios in the First Half of the Twentieth Century

Susan Schmidt Horning

Susan Schmidt Horning

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Six Types of Silence

Richard Osborne

Richard Osborne is Senior Lecturer in Popular Music at Middlesex University, UK. Prior to becoming a lecturer he worked in record shops, held various posts at PRS for Music, and co-managed a pub. He is the author of Vinyl: A History of the Analogue Record (2012). Author affiliation details are correct at time of print publication.

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The Act You’ve Known for All These Years

Kenneth Womack

Kenneth Womack is Professor of English and Dean of the Wayne D. McMurray School of Humanities & Social Sciences at Monmouth University, USA. Author affiliation details are correct at time of print publication.

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The Crooner Film Star: Bing Crosby

Julie Lobalzo Wright

Julie Lobalzo Wright is a Teaching Fellow in Film and Television Studies at the University of Warwick. She has published several articles and book chapters on film stardom and popular music and film. She is the co-editor, along with Lucy Bolton, of the BAFTSS winning Best Edited Collection, Lasting Screen Stars: Images that Fade and Personas that Endure (2016). Author affiliation details are correct at time of print publication.

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The Magnetic Fields

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...Boston indie band the Magnetic Fields, led by Stephen Merritt, developed a unique sound within the city’s music scene. In 1989, Merritt, who had previously worked on his studio project Buffalo Rome, assembled a band for live performance,...

The Magnetic Fields' 69 Love Songs: A field guide

LD Beghtol

LD Beghtol has written extensively about pop music, books, and the visual arts in Time Out New York, The Advocate, and the Village Voice. He has released half a dozen albums under several guises, and was a performer on 69 Love Songs. Author affiliation details are correct at time of print publication.

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The Mash-Up of Aesthetics, Theory and Politics in Laibach’s Meta-Sound

Aténé Mendelyté

Aténé Mendelyté

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The Psychedelic Screen

K.J. Donnelly

K.J.Donnelly is a Reader in Film at the University of Southampton, UK. He is the author of Occult Aesthetics: Synchronization in Sound Film (2013), British Film Music and Film Musicals (2007), The Spectre of Sound (2005) and Pop Music in British Cinema (2001); and editor of Film Music: Critical Approaches (2001) and co-editor (with Phil Hayward) of Music in Science Fiction Television: Tuning to the Future (2012). Author affiliation details are correct at time of print publication.

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The Undead and the Uncanny

Christopher Partridge

Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Recent publications include The Occult World (2014, ed.,), The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2013), Dub in Babylon (2010), and Holy Terror: Understanding Religion and Violence in Popular Culture (2010, ed.,). He is co-editor of Bloomsbury Studies in Religion and Popular Music. Author affiliation details are correct at time of print publication.

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