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Works by The Beastie Boys

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Analysing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Angry Black White Boyz

James Braxton Peterson

James Braxton Peterson is the Director of Africana Studies and Associate Professor of English at Lehigh University. Author affiliation details are correct at time of print publication.

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Buddhism and Popular Music

Cupchik Jeffrey W.

Cupchik Jeffrey W.

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Conclusion

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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Conclusion

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Fuck Your Scene, Kid: The Power of Local Scenes

Kevin C. Dunn

Kevin Dunn is Associate Professor in the Department of Political Science at Hobart and William Smith Colleges in Geneva, NY. He is author of several books, including Imagining the Congo (2003), The Politics of Origin in Africa (2013) and Inside African Politics (2013). He is also a regular contributor to Razorcake and Maximumrocknroll magazines. Author affiliation details are correct at time of print publication.

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Hip-Hop

Cheryl L. Keyes

Cheryl L. Keyes

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Hip-Hop in Iceland

Tony Mitchell

Tony Mitchell is an honorary research associate at the University of Technology, Sydney, Australia. He is the author of Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (1994), editor of Global Noise: Rap and Hip hop outside the USA (2001), co-editor of North Meets South: Popular Music in Aotearoa New Zealand (2004), Sounds of Then, Sounds of Now: Popular Music in Australia (2007), Home, Land and Sea: Situating Music in Aotearoa New Zealand (2011) Author affiliation details are correct at time of print publication.

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Hip-Hop in Sweden

Johan Söderman

Johan Söderman

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His own genre: Prince and sound

Joseph Vogel

Joseph Vogel is Assistant Professor of English at Merrimack College, USA. He is the author of Man in the Music: The Creative Life and Work of Michael Jackson (2011) and James Baldwin and the 1980s: Witnessing the Reagan Era (forthcoming 2018). His work has appeared on numerous popular news sites, including The Atlantic, Slate, The Huffington Post, and PopMatters, as well as in many peer-reviewed journals, including the James Baldwin Review, the F. Scott Fitzgerald Review, The Journal of Popular Culture, and the Journal of Popular Music Studies. Author affiliation details are correct at time of print publication.

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INTRODUCTION ‘A Stately Pleasure-Dome’?

Robert Edgar

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Robert Edgar is Associate Professor in the York Centre for Writing at York St. John University, UK. His publications include Screenwriting (2009), The Language of Film (2015), The Music Documentary: Acid Rock to Electropop (co-editor, 2013) and The Arena Concert (co-editor, 2015). Author affiliation details are correct at time of print publication.

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Kirsty Fairclough-Isaacs

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Kirsty Fairclough-Isaacs is Senior Lecturer in Media and Performance and Associate Director (International) in the School of Arts and Media at the University of Salford, UK. Author affiliation details are correct at time of print publication.

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Benjamin Halligan

Benjamin Halligan is Director of Postgraduate Research for the College of Arts and Social Sciences, University of Salford, UK. Author affiliation details are correct at time of print publication.

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and

Nicola Spelman

Nicola Spelman is Senior Lecturer in Popular Music in the School of Arts and Media at the University of Salford, UK Author affiliation details are correct at time of print publication.

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Japanese Religion and Popular Music

Matsue Jennifer Milioto

Matsue Jennifer Milioto

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Lee Scratch Perry

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... collaborated with British bands such as The Clash, and US bands such as The Beastie Boys. During the 1970s and later, Lee released various works under different pseudonyms. Around this time, he had also formed his own studio band,...

Living in the Interval: Political Hip-Hop, Rap, Revolution, and To Pimp a Butterfly

Robert Loss

Robert Loss is an assistant professor in Writing, Literature, and Philosophy at Columbus College of Art and Design, USA. Author affiliation details are correct at time of print publication.

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Maverick Methods: Tech-Processual Unorthodoxies in Contemporary Record Production

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Morbidity, Violence and Suicide

Christopher Partridge

Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. Recent publications include The Occult World (2014, ed.,), The Lyre of Orpheus: Popular Music, the Sacred and the Profane (2013), Dub in Babylon (2010), and Holy Terror: Understanding Religion and Violence in Popular Culture (2010, ed.,). He is co-editor of Bloomsbury Studies in Religion and Popular Music. Author affiliation details are correct at time of print publication.

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Nicki Minaj’s “Anaconda”

Anna-Elena Pääkkölä

Anna-Elena Pääkkölä

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No More Stars

Saul Austerlitz

Saul Austerlitz is a writer and cultural critic living in New York City. His work has been published in the Boston Globe (where he is a regular contributor), Slate, the San Francisco Chronicle, the Village Voice, and other publications. Author affiliation details are correct at time of print publication.

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On the Good Side: Antiwar Music in the 2000s

Robert Loss

Robert Loss is an assistant professor in Writing, Literature, and Philosophy at Columbus College of Art and Design, USA. Author affiliation details are correct at time of print publication.

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Online Music in Social Movements

Lyndon C. S. Way

Lyndon C. S. Way is Lecturer in the Department of Media and Communication, Faculty of Arts and Humanities, at Liverpool Hope University, UK. Author affiliation details are correct at time of print publication.

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