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Works by The Beach Boys

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(Un)conventional: Beatles fan conventions

Richard Mills

Richard Mills is a Senior Lecturer in Literature and Popular Culture at St. Mary’s University, UK. He has been programme director for the Film and Popular Culture, Cultural Studies and Irish Studies degrees. He is co-editor of Mad Dogs and Englishness (2017). Author affiliation details are correct at time of print publication.

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1966

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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1967

Sarah Hill

Dr Sarah Hill is a Senior Lecturer at the School of Music, Cardiff University, UK and Co-ordinating Editor of Popular Music. She has published work on Welsh-language popular music and cultural identity, progressive rock, and female vocality. A native of Oakland, California and a fluent Welsh speaker, Sarah is also Co-ordinating Editor of Popular Music. Author affiliation details are correct at time of print publication.

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A Cork on the Ocean

Philip Lambert

Philip Lambert is Professor of Music at Baruch College and the Graduate Center of the City University of New York. He is a specialist on music of the twentieth century and has published widely on this subject in the fields of music theory and musicology. His previous book is The Music of Charles Ives. Author affiliation details are correct at time of print publication.

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A Three-cornered Quartet

Peter Mills

Peter Mills is Senior Lecturer in Media & Popular Culture at Leeds Metropolitan University, UK. Hewas singer and lyricist for the band Innocents Abroad who made two albums, Quaker City and Eleven. He has taught music, literature and philosophy at universities in the UK , Hungary, Romania and Croatia, and has published work on, amongst others,Samuel Beckett,Olaf Stapledon,Hungarian folk music, Pink Floyd, national anthems and The KLF. Author affiliation details are correct at time of print publication.

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Ambient Music

Till Rupert

Till Rupert

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American Gospel

Philip Lambert

Philip Lambert is Professor of Music at Baruch College and the Graduate Center of the City University of New York. He is a specialist on music of the twentieth century and has published widely on this subject in the fields of music theory and musicology. His previous book is The Music of Charles Ives. Author affiliation details are correct at time of print publication.

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Analysing Technology and Process in Popular Music Recordings: A Tech-Processual Methodology

Samantha Bennett

Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production. Author affiliation details are correct at time of print publication.

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Arenas

Robert Kronenburg

Robert Kronenburg is the Roscoe Professor of Architecture at the University of Liverpool, UK. Author affiliation details are correct at time of print publication.

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Australia

Bruce Johnson

Bruce Johnson

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Avatars of the Future: Structuring Music

Shelton Waldrep

Shelton Waldrep is Professor of English at the University of Southern Maine, USA, and currently the Trustee Professor of the University of Maine System. Author affiliation details are correct at time of print publication.

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Awakenings

Philip Lambert

Philip Lambert is Professor of Music at Baruch College and the Graduate Center of the City University of New York. He is a specialist on music of the twentieth century and has published widely on this subject in the fields of music theory and musicology. His previous book is The Music of Charles Ives. Author affiliation details are correct at time of print publication.

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Band on the ruins: Meditations on music and motion

Warren Leming

Warren Leming

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Bango

Mellitus Nyongesa Wanyama

Mellitus Nyongesa Wanyama

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Beach Boys ‘65

Philip Lambert

Philip Lambert is Professor of Music at Baruch College and the Graduate Center of the City University of New York. He is a specialist on music of the twentieth century and has published widely on this subject in the fields of music theory and musicology. His previous book is The Music of Charles Ives. Author affiliation details are correct at time of print publication.

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Beach-Boys-Mania

Philip Lambert

Philip Lambert is Professor of Music at Baruch College and the Graduate Center of the City University of New York. He is a specialist on music of the twentieth century and has published widely on this subject in the fields of music theory and musicology. His previous book is The Music of Charles Ives. Author affiliation details are correct at time of print publication.

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Bel Canto

Robert Toft

Robert Toft holds a PhD in Historical Musicology from King’s College, University of London and has taught at universities in the UK, Ireland, Australia, and Canada. He took the lead role in developing the Popular Music Studies program at The University of Western Ontario, where he is currently Professor of Music. Author affiliation details are correct at time of print publication.

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Big songs and generational soundtracks

Andy Bennett

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Australia. He has written and edited numerous books including Popular Music and Youth Culture (2000), Music, Style and Aging (2013) and Music Scenes (2004), as well as the forthcoming Bloomsbury Handbook of Popular Music and Youth Culture. He was Editor-in-Chief of the Journal of Sociology (the journal of The Australian Sociological Association) between 2009 and 2012, and is currently a member of the Editorial Boards for the journals Cultural Sociology, Journal of Youth Studies, Continuum, Popular Music & Society, Rock Music Studies, Sociology Compass, Perfect Beat and Canadian Journal of Popular Culture. He is a Faculty Fellow of the Yale Centre for Cultural Sociology, an International Research Fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture and a founding member of the Regional Music Research Group. Author affiliation details are correct at time of print publication.

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Bob Dylan and the Pastoral Tradition

David Pichaske

David Pichaske is Professor of English at Southwest Minnesota State University. He is the author of many books, several related to rural literature and themes, including Rooted: Six Midwest Writers of Place. He has published on a range of subjects from rock music and American culture to T.S. Eliot and Chaucer. A three-time Fulbright Lecturer to Central Europe and Outer Mongolia, Pichaske is the author of Poland in Transition: 1989-1991. As editor of Spoon River Poetry Press, Pichaske has published Leo Dangel, Bill Holm, Norbert Blei, Linda Hasselstrom, Bill Kloefkorn, and Dave Etter, among significant rural writers. He first published on Dylan in 1972. Author affiliation details are correct at time of print publication.

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Bob Dylan’s Beat Visions (Sonic Poetry)

Michael Goldberg

Michael Goldberg

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