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Works by The Shangri-Las

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1977, Year Zero(ish)

Pete Dale

Pete Dale is a Senior Lecturer in Popular Music at Manchester Metropolitan University, UK. Author affiliation details are correct at time of print publication.

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Bridge (Revised 2018)

Franklin Bruno

Franklin Bruno’s criticism has appeared in The Believer, Slate, Salon, Best Music Writing 2003 (Da Capo), and Listen Again: A Momentary History of Pop Music (Duke University Press). After several records as a member of Nothing Painted Blue and as a solo artist, his most recent musical project is Civics, the debut CD by The Human Hearts (Tight Ship); he is also a recording and occasional touring member of The Mountain Goats. He has taught philosophy at UCLA, Pomona College, and Northwestern University; currently, he is Visiting Assistant Professor at Bard College. Author affiliation details are correct at time of print publication.

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Death

David Buckley

,

David Buckley

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John Shepherd

John Shepherd is Vice-Provost and Associate Vice-President (Academic) and Chancellor’s Professor of Music and Sociology at Carleton University, Ottawa, Canada. He was from 2007-2012 Carleton’s Dean of Graduate and Postdoctoral Affairs. Dr. Shepherd has been a member of EPMOW’s editorial board since 1990. In 2000, he was elected a Fellow of the Royal Society of Canada in recognition of his role “as a leading architect of a post-War critical musicology.” Author affiliation details are correct at time of print publication.

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and

Berndt Ostendorf

Berndt Ostendorf

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Fun, Fun, Fun

Philip Lambert

Philip Lambert is Professor of Music at Baruch College and the Graduate Center of the City University of New York. He is a specialist on music of the twentieth century and has published widely on this subject in the fields of music theory and musicology. His previous book is The Music of Charles Ives. Author affiliation details are correct at time of print publication.

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I’ve Got It

David Kirby

David Kirby is the Robert O. Lawton Distinguished Professor of English at Florida State University and lives in Tallahassee, Florida. Among his thirty books is The House on Boulevard St.: New and Selected Poems (Louisiana State University Press, 2007), which was a finalist for the 2007 National Book Award. He has written on music for The Chicago Tribune, The Christian Science Monitor, The New York Times Book Review, TriQuarterly, The Washington Post, The South Florida Sun-Sentinel, Georgia Music, and others. Author affiliation details are correct at time of print publication.

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Kenickie’s At The Club (1997)

Emily Mackay

Emily Mackay is a freelance writer and editor based in Southend-on-Sea, UK. In her career, she has been to a party at Prince's house, ordered out of a car at gunpoint by the LAPD and helped Thurston Moore steal a sofa. Her favourite though, was being driven around Reykjavík by Björk in her Landrover. Author affiliation details are correct at time of print publication.

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Roll up for the Magical Mystery Tour

Stephanie Fremaux

Stephanie Fremaux is Lecturer in the School of Media at Birmingham City University, UK. She leads the Media Section’s Erasmus and Internationalization agendas, including leading master classes at a partner university in Kazakhstan. Her research interests are primarily focused around interdisciplinary film and popular music including studying the relationships between popular music on film and modes of performance; popular music tourism; fandom and the use of digital platforms; and Beatles scholarly research. Author affiliation details are correct at time of print publication.

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The Missing Links, The Missing Links (1965)

Jon Stratton

Jon Dale is a writer and researcher based in Melbourne, Australia. He teaches across a number of fields (popular music, experimental writing, media studies, criminology, sociology, screen studies) at a number of institutions. He also writes for the English music magazine Uncut, and contributes liner notes and essays to a number of record labels and other publications. He is currently working on several books about DIY and post-punk music, and texts on experimental film and diary film making. He also runs the record labels Tristes Tropiques and Rose Hobart. Author affiliation details are correct at time of print publication.

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The New York Dolls’ Too Much, Too Soon (1974)

David Smay

David Smay has co-edited two books on music with Kim Cooper: Lost In the Grooves: Scram’s Capricious Guide To The Music You Missed, and Bubblegum Music Is The Naked Truth. He’s a regular contributor to Scram, has an upcoming piece in Oxford American and has occasionally dithered about pop music on NPR, French Television and documentaries only shown at the Alamo Drafthouse in Austin, Texas. But his best interview was with Ratso the punk rock puppet at Quimb’s in Chicago. He lives in San Francisco with his wife and two children, Emmett and Matilda. Author affiliation details are correct at time of print publication.

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The Oxymoronic Self

Gavin Hopps

Gavin Hopps is the Research Council’s UK Academic Fellow in the School of Divinity at St. Mary’s College, the University of St. Andrews, Scotland. Author affiliation details are correct at time of print publication.

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The passenger? Gender, cars, mobility, and dance music

Katie Milestone

Katie Milestone

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The Shangri-Las

...The Shangri-Las were an all-girl group during the 1960s, a time when all-girl groups were popular. Unlike other groups, however, the Shangri-Las were known for their “tough girl” public image as well as their engagement with darker teenage...

The Shangri-Las’ Golden Hits of the Shangri-Las

Ada Wolin

Ada Wolin is a Brooklyn-born, Chicago-based writer. A recent graduate of the School of the Art Institute of Chicago, she now works at Booklist. Author affiliation details are correct at time of print publication.

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Vocal Groups

John Potter

John Potter

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‘Atta Girl’: Heavenly, Riot Grrrl and Feminism

Michael White

Michael White has been writing about popular and underground music, for publications in his native Canada and internationally, for 20 years. Author affiliation details are correct at time of print publication.

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‘Rosy, Won’t You Please Come Home’: Family, home and cultural identity in the music of Ray Davies and the Kinks

Carey Fleiner

Carey Fleiner

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